No mask, Jo type

A Jo-men (old man) Shrine mask with remnants of gesso and faded black lacquer (urushi). The mask has three inscriptions in sumi on the back. The top center bears the name of the mask or (deity); between the nose bridge is name of donor. And on the left backside are two characters, possibly the name of the maker. Early 17th century, in average condition for a mask of this age.
Appraiser’s number: [2]

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Historical period(s)
Momoyama or Edo period, Early 17th century
Medium
Wood with colored pigment
Dimensions
H x W x D: 19.9 x 14.3 x 7.7 cm (7 13/16 x 5 5/8 x 3 1/16 in)
Geography
Japan
Credit Line
Collected by Seymour J. Janow and Gifted in his memory by his Family
Collection
Freer Gallery of Art Collection
Accession Number
F2003.5.2
On View Location
Currently not on view
Classification(s)
Mask
Type

Mask

Keywords
Edo period (1615 - 1868), Japan, Momoyama period (1573 - 1615)
Provenance

To 2003
Seymour J. Janow, Washington, DC, acquired in Japan, to 2003 [1]

From 2003
Freer Gallery of Art, given by the family of Seymour J. Janow in 2003

Notes:

[1] According to Curatorial Note 1, Ann Yonemura, September 30, 2003, in the object record.

Previous Owner(s) and Custodian(s)

Mrs. Selma Janow

Description

A Jo-men (old man) Shrine mask with remnants of gesso and faded black lacquer (urushi). The mask has three inscriptions in sumi on the back. The top center bears the name of the mask or (deity); between the nose bridge is name of donor. And on the left backside are two characters, possibly the name of the maker. Early 17th century, in average condition for a mask of this age.
Appraiser's number: [2]

Inscription(s)

1. (Jerry Solomon, independent appraiser, 12 April 2003) This mask has three inscriptions in sumi on the back. The top center bears the name of the mask or (deity); between the nose bridge is name of donor. And on the left backsid are two characters possibly the name of the maker.

Label

This mask was used for performances of No, a musical dance-drama that developed within troupes who performed under the patronage of Japanese Buddhist temples and Shinto shrines. Such dramatic entertainments often followed religious ceremonies. Gods in human or supernatural form, ghosts, spirits, and demons are often characters in No plays. Plays often evoke the close interrelationship between gods and spirits and the human world. Masks with generalized features are worn by the male performers to enhance the performance of the role and to create the illusion of transformations onstage. In addition to being colored over a white ground, this mask would have had hair attached to form the moustache and beard. The features of the elderly man are sensitively carved, and the condition is typical for masks of similar age. Inscriptions on the rear indicated that the mask was donated to a Shinto shrine. Performances of No on simple, open-air stages were once widely performed in the precincts of Shinto shrines.

Collection Area(s)
Japanese Art
Web Resources
Google Cultural Institute
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