Jahangir Entertains Shah Abbas from the St. Petersburg Album

citation

Maker(s)
Artist: Attributed to Bishandas (active 1590 - 1640)
Borders: Muhammad Sadiq
Historical period(s)
Mughal dynasty, Reign of Jahangir, ca. 1620; borders 1746-47
Movement
Mughal Court
School
Mughal School
Medium
Opaque water color, gold and ink on paper
Dimensions
H x W: 25 x 18.3 cm (9 13/16 x 7 3/16 in)
Geography
India
Credit Line
Purchase — Charles Lang Freer Endowment
Accession Number
F1942.16a
On View Location
Freer Gallery 04: Engaging the Senses: Art in the Islamic World
Classification(s)
Album, Manuscript
Type

Album leaf

Keywords
emperor, India, Mughal dynasty (1526 - 1858), Reign of Jahangir (1605 - 1627), shah, WWII-era provenance
Provenance
Provenance information is currently unavailable
Previous Owner(s)

Hagop Kevorkian 1872 - 1962
Mughal Imperial Library
Persian Imperial Library
Czar Nicholas II

Label

This painting represents the Jahangir's imaginary entertainment of the Persian ruler Shah Abbas. The opulence displayed by Jahangir in this scene symbolizes the Emperor's desire to overwhelm his opponent with his wealth and power. Unfortunately, Jahangir's ambitions were not realized as Shah Abbas captured Qandahar from the Mughals in 1622, a few years after the execution of this painting.

In 1739 Nadir Shah of Iran attacked the Mughal capital at Delhi, seizing many of the best Mughal paintings and manuscript illustrations. These were mounted into albums prepared and decorated by the leading Persian artists of the day and eventually formed the compilation known today as the St. Petersburg album. (See F1945a, F1931.20, F1942.15a, F1942.17a, F1942.18a, F1994.4, F1996.a-b)

Published References
  • Thomas Lawton Thomas W. Lentz. Beyond the Legacy: Anniversary Acquisitions for the Freer Gallery of Art and the Arthur M. Sackler Gallery. vol. 1 Washington, 1998. p. 186, fig. 2.
  • Dr. Esin Atil, W. Thomas Chase, Paul Jett. Islamic Metalwork in the Freer Gallery of Art. Washington, 1985. pp. 209-210, 222, fig. 69.
  • Encompassing the Globe: Portugal and the World in the 16th & 17th Centuries. Exh. cat. Washington, 2007. I-12, p. 240.
  • Milo Cleveland Beach. The Imperial Image: Paintings for the Mughal Court. Exh. cat. Washington, 1981. cat. 17c, pp. 78, 170-171.
  • Ebba Koch. Dara-Shikoh Shooting Nilgais: Hunt and Landscape in Mughal Painting. vol. 1 Washington, 1998. p. 13, fig. 1.
  • Mario Bussagli. Indian Miniatures. London and New York. p. 111, pl. 50.
  • Richard Ettinghausen. Paintings of the Sultans and Emperors of India in American Collections. Lalit Kala Series of Indian Art New Delhi. pl. 13.
  • Goa and the Great Mughal. Lisbon and London. p. 129.
  • Heike Franke. Akbar und Gahangir: Untersuchungen zur politischen und religiosen Legitimation in Text und Bild. Bonner Islamstudien, no. 12. pl. 23.
  • Pratapaditya Pal Frank Ames. The Arts of Kashmir. Exh. cat. New York. p. 152, fig. 161.
  • Marianna Shreve Simpson. L'Art Islamique: Asiae, Iran, Afgahanistan, Asia Centrale et Inde. La Grammaire des Styles Paris, 1956-1958. pp. 60-62.
  • Milo Cleveland Beach. The Imperial Image: Paintings for the Mughal Court., 2nd. Washington and Ahmedabad, India, 2012. cat. 22B, pp. 124-125.
  • Masters of Indian Painting. Exh. cat. Zurich. pp. 259-278, fig. 10.
  • Susan Stronge. "The Al Thani Collection." Bejewelled Treasures. .
  • .
Collection Area(s)
South Asian and Himalayan Art
Web Resources
Google Cultural Institute
Rights Statement

Copyright with museum

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