Seikan Ferryboat, from the series Karasu (Ravens); Fukase Masahisa (1934–2012); Japan, 1976; gelatin silver print; purchase and partial gift from the Gloria Katz and Willard Huyck Collection, S2018.2.24. © Masahisa Fukase Archives, courtesy of Michael Hoppen Gallery in London

Seikan Ferryboat, from the series Karasu (Ravens); Fukase Masahisa (1934–2012); Japan, 1976; gelatin silver print; partial gift from Gloria Katz and Willard Huyck, and purchased through the Freer|Sackler acquisitions fund in honor of Julian Raby, director emeritus of the Freer Gallery of Art and the Arthur M. Sackler Gallery, S2018.2.24. © Masahisa Fukase Archives, courtesy of Michael Hoppen Gallery in London

Japan Modern: Photography from the Gloria Katz and Willard Huyck Collection

Learn More »
Detail, From the Real to the Symbolic City, From the series Desert of Pharan (2011–13), Ahmed Mater (Saudi Arabia, b. 1979), 2012, Color photograph, Purchase—Friends of the Freer and Sackler Galleries, S2014.5 image

Detail, From the Real to the Symbolic City, From the series Desert of Pharan (2011–13), Ahmed Mater (Saudi Arabia, b. 1979), 2012, Color photograph, Purchase—Friends of the Freer and Sackler Galleries, S2014.5

Symbolic Cities: The Work of Ahmed Mater

Learn More »
Detail image, Darren Waterston; Filthy Lucre, 2013–14; Oil, acrylic, and gold leaf on wood, aluminum, fiberglass, and ceramic, with audio; and lighting components; Courtesy the artist and DC Moore Gallery, New York; Installation view, MASS MoCA, North Adams, MA; Photo: John Tsantes

Detail, Darren Waterston; Filthy Lucre, 2013–14; Oil, acrylic, and gold leaf on wood, aluminum, fiberglass, and ceramic, with audio; and lighting components; Courtesy the artist and DC Moore Gallery, New York; Installation view, MASS MoCA, North Adams, MA; Photo: John Tsantes

Peacock Room REMIX: Darren Waterston’s “Filthy Lucre”

Learn More »
Detail photo, Installation view of Dialogue From DNA at Manggha, Centre of Japanese Art and Technology, Krakow, Poland by Chiharu Shiota; 2004; photo by Sunhi Mang

Detail, Installation view of Dialogue From DNA at Manggha, Centre of Japanese Art and Technology, Krakow, Poland by Chiharu Shiota; 2004; photo by Sunhi Mang

Perspectives: Chiharu Shiota

Learn More »