Three rows of ceramics in various shapes displayed on gilded shelves against a painted green wall with feathery gold detailing in the upper left corner.

Harmony in Blue and Gold: The Peacock Room (detail), James McNeill Whistler (1834–1903), 1876–1877, oil paint and gold leaf on canvas, leather, mosaic tile, glass, and wood, Gift of Charles Lang Freer, Freer Gallery of Art, F1904.61

The Peacock Room Comes to America

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A scene, softly painted in greens and blues, of spindly trees against a subtle sunset just visible over the horizon.

Twilight: Early Spring (detail), Dwight William Tryon (1849–1925), United States, 1893, oil on canvas, Gift of Charles Lang Freer, Freer Gallery of Art, F1893.12a-b

A Perfect Harmony

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Detail image, Darren Waterston; Filthy Lucre, 2013–14; Oil, acrylic, and gold leaf on wood, aluminum, fiberglass, and ceramic, with audio; and lighting components; Courtesy the artist and DC Moore Gallery, New York; Installation view, MASS MoCA, North Adams, MA; Photo: John Tsantes

Detail, Darren Waterston; Filthy Lucre, 2013–14; Oil, acrylic, and gold leaf on wood, aluminum, fiberglass, and ceramic, with audio; and lighting components; Courtesy the artist and DC Moore Gallery, New York; Installation view, MASS MoCA, North Adams, MA; Photo: John Tsantes

Peacock Room REMIX: Darren Waterston’s “Filthy Lucre”

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