Born in Tehran, Y.Z. Kami draws from Eastern and Western aesthetic and mystical traditions to create large-scale works that explore the movement between the physical world and the inward spiritual journey. A student of philosophy, he developed a particular interest in the human face and its relationship to the divine, which has inspired several groups of portraits. This exhibition presented two monumental portraits from his series depicting individuals in meditation. Each subject, rendered with a soft focus and simple palette, emanates a sense of peace and introspection. In the third and largest work on view, poetry and religious architecture also give form to the divine. Using collage and verses from the Massnavi of Jalaluddin Rumi (1207–1273), the artist arranges words like bricks in a spiral of calligraphy that invokes the feeling of looking through a dome or the ecstatic movement of a ritual dance.