Abderrezak 2009
Abderrezak, Hakim. 2009. “‘Burning the Sea’: Clandestine Migration across the Strait of Gibraltar in Francophone Moroccan ‘Illiterature.’” Contemporary French and Francophone Studies 13 (4), 461–69.
Adams 2006
Adams, Kathleen. 2006. Art as Politics: Re-Crafting Identities, Tourism, and Power in Tana Toraja, Indonesia. Honolulu: University of Hawai’i Press.
AGI 2015
American Gamelan Institute. 2015. “International Gamelan Directories.” Retrieved from http://www.gamelan.org/directories/index.html (April 23, 2015).
Ajidarma 2004
Ajidarma, Seno Gumirah. 2004. “Garin’s Films: Popularization of Narration.” In Philip Cheah (ed.), And the Moon Dances: The Films of Garin (pp. 58–82). Jakarta: Bentang.
Amkpa 2010
Amkpa, Awam. 2010. “A State of Perpetual Becoming: African Bodies as Texts, Methods, and Archives.” Dance Research Journal 42 (1), 83–88.
Anderson 1965
Anderson, Benedict. 1965. Mythology and the Tolerance of the Javanese. Ithaca, NY: Modern Indonesian Project Southeast Asia Program, Cornell University.
Anderson 1990
Anderson, Benedict. 1990. Language and Power: Exploring Political Cultures in Indonesia. Ithaca, NY: Cornell University Press.
Appadurai 1986
Appadurai, Arjun. 1986. “Introduction: Commodities and the Politics of Value.” In Arjun Appadurai (ed.), The Social Life of Things (pp. 3–63). Cambridge: Cambridge University Press.
Appadurai 1996
Appadurai, Arjun. 1996. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press.
Archer 1964
Archer, William Kay. 1964. “On the Ecology of Music.” Ethnomusicology 8 (1), 28–33.
Artaud 1958
Artaud, Antonin. 1958. The Theatre and Its Double. (Mary Caroline Richards, Trans.). New York: Grove Press.
Artaud 1988
Artaud, Antonin. 1988. Antonin Artaud, Selected Writings. (Helen Weaver, Trans. Susan Sontag, ed.). Berkeley and Los Angeles: University of California Press.
Averill 2004
Averill, Gage. 2004. “Where’s ‘One’?: Musical Encounters of the Ensemble Kind.” In Ted Solís (ed.), Performing Ethnomusicology: Teaching and Representation in World Music Ensembles (pp. 93–111). Berkeley: University of California Press.
Baier 1985/86
Baier, Randal. 1985/86. “The Angklung Ensemble of West Java: Continuity of an Agricultural Tradition.” Balungan 2 (1–2), 9–17.
Bakan 1999
Bakan, Michael. 1999. Music of Death and New Creation: Experiences in the World of Balinese Gamelan Beleganjur. Chicago: University of Chicago Press.
Bandem 1986
Bandem, I Made (ed. and trans.). 1986. Prakempa: Sebuah Lontar Gambelan Bali. Denpasar: Akademi Seni Tari Indonesia.
Bandem and deBoer 1995
Bandem, I Made, and Fredrik deBoer. 1995. Kaja and Kelod: Balinese Dance in Transition (2nd ed.). New York: Oxford University Press.
Banerjee 1998
Banerjee, Sumanta. 1998. Dangerous Outcast: The Prostitute in Nineteenth Century Bengal. Calcutta: Seagull Books.
Banjar Pagan Kelod (n.d.)
[Banjar Pagan Kelod]. n.d. GONG Semar Pegulingan PAGAN KELOD Vol 1. (B-373, cassette). Vol 2. (B-374, cassette). Denpasar, Indonesia: Bali Record.
Banjar Titih 2015
Banjar Titih. 2015. “Lasem,” “Ginanti,” and “Tabuh Gari” on Bali 1928–Volume III: Lotring and the Sources of Gamelan Tradition. Linden Hill Station, NY: Arbiter of Cultural Traditions, CD.
Bayuni 2011
Bayuni, Endy M. 2011. “Washington DC Shakes to Angklung World Record.” Retrieved from http://www.thejakartapost.com/news/2011/07/10/washington-dc-shakes-angklung-world-record.html (accessed November 11, 2013).
Becker 2008
Becker, Howard. 2008 (1984). Art Worlds. Berkeley: University of California Press.
Benamou 1998
Benamou, Marc. 1998. “Rasa in Javanese Musical Aesthetics.” PhD diss. University of Michigan.
Bennett 2010
Bennett, Jane. 2010. Vibrant Matter: A Political Ecology of Things. Durham, NC: Duke University Press.
Bharucha 1984
Bharucha, Rustom. 1984. “A Collision of Cultures: Some Western Interpretations of the Indian Theatre.” Asian Theatre Journal 1 (1), 1–20.
Bharucha 1993
Bharucha, Rustom. 1993. Theatre and the World: Performance and the Politics of Culture. London and New York: Routledge.
Bloembergen 2006
Bloembergen, Marieke. 2006. Colonial Spectacle: The Netherlands and the Dutch East Indies at the World Exhibitions, 1880–1931. Singapore: Singapore University Press.
Borgeaud 1945
Borgeaud, Henri (ed.). 1945. Correspondence de Claude Debussy et Pierre Louÿs (1893–1904). Paris: Librairie Jose Corti.
Brinner 1995
Brinner, Benjamin E. 1995. Knowing Music, Making Music: Javanese Gamelan and the Theory of Musical Competence and Interaction. Chicago: University of Chicago Press.
Brinner 2004
Brinner, Benjamin. 2004. “The Cultural Ecology of Learning, Memory, and Performance: Some Musical Examples from Java and Bali.” Friday Forum of the Center for Southeast Asian Studies, University of Wisconsin-Madison (April 22, 2004).
Brinner 2009
Brinner, Benjamin. 2009. “A Larger Network: The Ethnic Music Scene in Israel.” In Playing Across a Divide: Israeli-Palestinian Musical Encounters. New York: Oxford University Press.
Butler 1993
Butler, Judith. 1993. Bodies that Matter: On the Discursive Limit of “Sex.” New York: Routledge.
Butler and Athanasiou 2013
Butler, Judith, and Athena Athanasiou. 2013. Dispossession: The Performative in the Political. Malden, MA: Polity Press.
Byl 2014
Byl, Julia. 2014. Antiphonal Histories: Resonant Pasts in the Toba Batak Musical Present. Middletown, CT: Wesleyan Press.
Canclini 2012
Canclini, Néstor Garciá. 2012. “Hybrid Cultures and Communicative Strategies.” Retrieved from http://www.waccglobal.org/en/19971-cultural-boundaries-identity-and-communication-in-latin-america/940-Hybrid-Cultures-and-Communicative-Strategies.html (accessed March 21, 2012).
Caracache and Fassola 1992
Caracache, Anne, and Jaques Fassola, dirs. 1992. Bali, les couleurs du divin: Madé Trip au pays des gongs. Paris: Doc & Film International, VHS.
Carey 1997
Carey, Peter. 1997. “Civilization on Loan: The Making of an Upstart Polity: Mataram and its Successors, 1600–1830.” Modern Asian Studies 31 (3), 711–34.
Castagno 2011
Castagno, Paul C. 2011. New Playwriting Strategies: Language and Media in the 21st Century (2nd ed.). Florence, KY: Routledge.
Chalmers 1986
Chalmers, John H., Jr. 1986. “Gamelan in Texas.” Balungan 2 (3), 39–40.
Chari 2013
Chari, Sharad. 2013. “Detritus in Durban, Polluted Environs and Biopolitics of Refusal.” In Ann Laura Stoler (ed.), Imperial Debris: On Ruins and Ruination (pp. 131–61). Durham and London: Duke University Press.
Cherbo 2012
Cherbo, Joni Maya. 2012. “Re-Imagining Public and Private Roles in International Cultural Engagement for the 21st Century.” In Public and Private Cultural Exchange-Based Diplomacy: New Models for the 21st Century, White Paper no. 1, 1–10. Salzburg: Salzburg Global Seminar, Robert Sterling Clark Foundation.
Chong 1998
Chong, Pek Lin. 1998. Folk Songs of Sarawak: Songs from the Kenyah Community. Kuching: Dayak Cultural Foundation.
Clancy 1985
Clancy, P. A. 1985. “Artaud and the Balinese Theatre.” Modern Drama 28 (3), 397–412.
Coast 2004
Coast, John. 2004 (1953). Dancing out of Bali. Foreword by Sir David Attenborough. Singapore: Periplus.
Cohen 2010
Cohen, M. I. 2010. Performing Otherness: Java and Bali on International Stages, 1905–1952. New York: Palgrave Macmillan.
Conley 1976
Conley, William W. 1976. The Kalimantan Kenyah: A Study of Tribal Conversion in Terms of Dynamic Cultural Themes. Nutley, NJ: Christian Reformed Publishing.
Conner 2011
Conner, Ron. 2011. “History of Ethnomusicology at the University of California, Los Angeles.” The UCLA Herb Alpert School of Music, Department of Ethnomusicology. Retrieved from http://www.ethnomusic.ucla.edu/index.php?option=com_content&view=article&id=1652:history-of-ethnomusicology-at-ucla&Itemid=226.
Cowan and Arsenault 2008
Cowan, Geoffrey, and Amelia Arsenault. 2008. “Moving from Monologue to Dialogue to Collaboration: The Three Layers of Public Diplomacy.” Annals of the American Academy of Political and Social Science 616, 10–30.
Cushman 2012
Cushman, Kathleen. 2012. Fires in the Mind: What Kids Can Tell Us About Motivation and Mastery. Hoboken, NJ: John Wiley and Sons.
Davis and Postlewait 2003
Davis, Tracy C., and Thomas Postlewait (Eds.). 2003. Theatricality. Cambridge: Cambridge University Press.
DeFrantz 2006
DeFrantz, Thomas F. 2006. Dancing Revelations: Alvin Ailey’s Embodiment of African American Culture. New York: Oxford University Press.
Denniston 2003
Denniston, Christine. 2003. “Secrets of the Tango–1914: How the Tango Was Danced at the Height of Tangomania.” Retrieved from www.totaltango.com. CD-ROM.
Deshpande 1973
Deshpande, V. H. 1973. Indian Musical Traditions: An Aesthetic Study of the Gharanas in Hindustani Music. Bombay: Popular Prakashan.
De Vale 1977
De Vale, Su. 1977. “A Sundanese Gamelan: A Gestalt Approach to Orgonalogy.” PhD diss. Northwestern University.
DeWitt 2009
DeWitt, Mark F. 2009. “Louisiana Creole bals de maison in California and the accumulation of social capital.” World of Music 51 (1), 17–34.
de Zoete and Spies 1938
de Zoete, Beryl, and Walter Spies. 1938. Dance and Drama in Bali. (2nd ed., 1972). Kuala Lumpur: Oxford University Press.
Djebar 1993
Djebar, Assia. Fantasia: An Algerian Cavalcade. (Dorothy S. Blair, trans.). Portsmouth, NH: Heinemann, 1993.
Diamond 1997
Diamond, Jarrad. 1997. Guns, Germs and Steel. New York: W. W. Norton.
Diamond 1998
Diamond, Jody. 1998. “Out of Indonesia: Global Gamelan.” Recording review. Ethnomusicology 42 (1), 174–83.
Dibia 1985
Dibia, I. Wayan. 1985. “Odalan of Hindu Bali: A Religious Festival, a Social Occasion, and a Theatrical Event.” Asian Theatre Journal 2 (1), 61–65.
Dibia 2012
Dibia, I. Wayan. 2012. “Arja, Revitalizing Arja in Globalized Bali.” Asian Theatre Journal 29 (2), 466–94.
Dibia and Ballinger 2004
Dibia, I. W., and Rucina Ballinger. 2004. Balinese Dance, Drama and Music: A Guide to the Performing Arts of Bali. Singapore: Periplus; Clarendon, VT: Tuttle.
Downing 2008
Downing, Sonja Lynn. 2008. “Arjuna’s Angels: Girls Learning Gamelan Music in Bali.” PhD diss. University of California, Santa Barbara.
Eiseman 1990
Eiseman, Fred B. 1990. Bali: Sekala and Niskala. Vol. 1, Essays on Religion, Ritual, and Art. Hong Kong: Periplus.
Elson 2001
Elson, R. E. 2001. Suharto: A Political Biography,/. Cambridge: Cambridge University Press.
Epstein and Vladiv-Glover 1999
Epstein, M., A. Genis, and S. Vladiv-Glover. 1999. Russian Postmodernism: New Perspectives on Post-Soviet Culture. New York: Berghahn Books.
Eriksen 2010
Eriksen, Thomas Hylland. 2010. Ethnicity and Nationalism (3rd ed.) New York: Pluto Press.
Fauser 2005
Fauser, Annegret. 2005. Musical Encounter at the 1889 Paris World’s Fair. Rochester, NY: University of Rochester Press.
Feld and Basso 1996
Feld, Steven, and Keith H. Basso (eds.). 1996. Senses of Place. Santa Fe, NM: School of American Research Press.
Foley 1992
Foley, Kathy. 1992. “Trading Art(s): Artaud, Spies, and Current Indonesian/American Artistic Exchange and Collaboration.” Modern Drama 35 (1), 10–19.
Foster 2010
Foster, Susan. 2010. Choreographing Empathy: Kinesthesia in Performance. New York: Routledge.
Fox 1974
Fox, James J. 1974. “Our Ancestors Spoke in Pairs: Rotinese Views of Language, Dialect and Code.” In Richard Bauman and Joel Sherzer (Eds.), Explorations in the Ethnography of Speaking (pp. 65–85). London: Cambridge University Press.
Fox 1979
Fox, James J. 1979. “The Ceremonial System of Savu.” In A. L. Becker and Aram Yengoyan (Eds.), The Imagination of Reality: Essays in Southeast Asian Coherence Systems (pp. 145–73). Norwood, NJ: Ablex Publishing.
Fox 1988
Fox, James J. 1988. “Introduction.” In James J. Fox (ed.), To Speak in Pairs: Essays on the Ritual Languages of Eastern Indonesia (pp. 1–28). Cambridge: Cambridge University Press.
Fraser 2015
Fraser, Jennifer A. 2015. Gongs and Pop Songs: Sounding Minangkabau in Indonesia. Ohio University Research in International Studies, Southeast Asia Series no. 127. Athens: Ohio University Press.
Friendly 2013
Friendly, Rayna H., Drew Rendall, and Laurel J. Trainor. 2013. “Plasticity after perceptual narrowing for voice perception: Reinstating the ability to discriminate monkeys by their voices at 12 months of age.” Frontiers in Psychology 4, 1442–53.
Gabriella 2013
Gabriella, Clarisa. 2013. “Peran Diplomasi Kebudayaan Indonesia” [The Role of Indonesian Cultural Diplomacy]. MA thesis. Makassar: Hasanuddin University.
Galvin 1962
Galvin, A. D. 1962. “Five Sorts of Sarawak and Kalimantan Kenyah Song.” Sarawak Museum Journal 10, 501–10.
Galvin and Wan Ulok 1955
Galvin, A. D., and Stephen Wan Ulok. 1955. “A Kenyah Song.” Sarawak Museum Journal 6 (5), 287–89.
Geertz 1973
Geertz, Clifford. 1973. The Interpretation of Cultures: Selected Essays. New York: Basic Books.
Geertz 1980
Geertz, Clifford. 1980. Negara: The Theatre State in Nineteenth-Century Bali. Princeton, NJ: Princeton University Press.
Geertz 2004
Geertz, Hildred. 2004. The Life of a Balinese Temple: Artistry, Imagination, and History in a Peasant Village. Honolulu: University of Hawai’i Press.
Geertz 1975
Geertz, Hildred, and Clifford Geertz. 1975. Kinship in Bali. Chicago: University of Chicago Press.
Gell 1998
Gell, Alfred. 1998. Art and Agency. London: Oxford University Press.
Gibson 1986
Gibson, James J. 1986. The Ecological Approach to Visual Perception. Hillsdale, NJ: Lawrence Erlbaum Associates.
Gilroy 1993
Gilroy, Paul. 1993. “‘Jewels Brought from Bondage’: Black Music and the Politics of Authenticity.” In The Black Atlantic: Modernity and Double Consciousness (pp. 72–110). Cambridge: Harvard University Press.
Gold 1998
Gold, Lisa. 1998. “The Gender Wayang Repertoire in Theater and Ritual.” PhD diss. University of California, Berkeley.
Gold 2013
Gold, Lisa. 2013. “Time and Place Conflated: Zaman Dulu (a Bygone Era) and an Ecological Approach to a Century of Balinese Shadow Play Music.” In Kendra Stepputat (ed.), Performing Arts in Postmodern Bali: Changing Interpretations, Founding Traditions (pp. 13–78). Graz, Austria: Studies in Ethnomusicology.
Goldberg and Brown 1968
Goldberg, Jay M., and Paul B. Brown. 1968. “Functional organization of the dog superior olivary complex: An anatomical and electrophysiological study.” Journal of Neurophysiology 31 (4), 639–56.
Golomb 1995
Golomb, Jacob. 1995. In Search of Authenticity: From Kierkegaard to Camus. London: Routledge.
Gomperts 1994
Gomperts, Amrit, and Peter Carey. 1994. “Campanalogical Conundrums: A History of Three Javanese Bells. Archipel 48, 13–31.
Gorlinski 1994
The Kenyah of Kalimantan (Indonesia). 1994. An Anthology of South-East Asian Music. Notes and recordings by Virginia Gorlinski. Cantate Musicaphon M52576. Compact disc.
Gorlinski 1995
Gorlinski, Virginia. 1995. “Songs of Honor, Words of Respect: Social Contours of Kenyah Lepo’ Tau Versification, Sarawak, Malaysia.” PhD diss. University of Michigan.
Gorlinski 2006
Gorlinski, Virginia. 2006. “Minorities and the Arts in an Age of Cultural Commodification: The Case of the Orang Ulu in Sarawak, Malaysia.” In Chong Shin, Karim Harun, and Yabit Alas (Eds.), Reflections on Borneo Rivers: Essays in Honour of Professor James T. Collins (pp. 213–26). Pontianak: STAIN Pontianak Press.
Grant 2013
Grant, Catherine. 2013. “Rethinking Safeguarding: Objections and Responses to Protecting and Promoting Endangered Musical Heritage.” Ethnomusicology Forum 21 (2), 31–51.
Grant 2014
Grant, Catherine. 2014. Music Endangerment: How Language Maintenance Can Help. New York: Oxford University Press.
Gray 2011
Gray, Nicholas. 2011. Improvisation and Composition in Balinese Gender Wayang: Music of the Moving Shadows. Burlington, VT: Ashgate.
Griffin 2010
Griffin, Martin. 2010. “Narrative, Culture, Diplomacy.” Journal of Arts Management, Law, and Society 38 (4), 258–69.
Grincheva 2010
Grincheva, Natalia. 2010. “U.S. Arts and Cultural Diplomacy: Post-Cold War Decline and the Twenty First Century Debate.” Journal of Arts Management, Law, and Society 40, 169–83.
Grotowski 1968
Grotowski, Jerzy. 1968. Towards a Poor Theatre. New York: Simon and Schuster.
Hall 1997
Hall, Stuart. 1997. Representation: Cultural Representations and Signifying Practices. London: Sage and Open University.
Hanna 2004
Hanna, Willard A. 2004. Bali Chronicles: A Lively Account of the Island’s History from Early Times to the 1970s. Singapore: Periplus.
Harnish 1993/94
Harnish, David. 1993/94. “Gamelan Semar Pegulingan Saih Pita: The Heavenly Orchestra of Bali by Walter Quintus; Kurt Renker; Gamelan Semar Pegulingan Pitu; I. Wayan Sumendra; I. Nyoman Wenten.” Asian Music 25 (1/2), 293–98.
Harnish 2006
Harnish, David. 2006. Bridges to the Ancestors: Musics and Myths, Hindu Balinese and Muslim Sasak at the Lingsar Festival in Lombok, Indonesia. Honolulu: University of Hawai’i Press.
Harnish 2007
Harnish, David. 2007. “‘Digging’ and ‘Upgrading’: Government Efforts to ‘Develop’ Music and Dance in Lombok, Indonesia.” Asian Music 38 (1), 61–87.
Harnish 2013
Harnish, David. 2013. “The Hybrid Music and Cosmopolitan Scene in Balinese Music of Balinese Guitarist I Wayan Balawan.” Ethnomusicology Forum 22 (2), 188–209.
Harnish, Solís, and Witzleben 2004
Harnish, David, Ted Solís, and J. Lawrence Witzleben. 2004. “‘A Bridge to Java’: Four Decades Teaching Gamelan in America.” In Ted Solís (ed.), Performing Ethnomusicology: Teaching and Representation in World Music Ensembles (pp. 53–68). Berkeley: University of California Press.
Harnish and Rasmussen 2011
Harnish, David, and Anne K. Rasmussen (Eds.). 2011. Divine Inspirations: Music and Islam in Indonesia. New York: Oxford University Press.
Harnish and Wallach 2013
Harnish, David, and Jeremy Wallach. 2013. “‘Dance to Your Roots’: Genre Fusion in the Music of Indonesia’s Krakatau.” Asian Music 44 (2), 188–209.
Hast and Scott 2004
Hast, Dorothea E., and Stanley Scott. 2004. Music in Ireland: Experiencing Music, Expressing Culture. In Bonnie C. Wade and Patricia Shehan Campbell (Eds.), Global Music Series. New York: Oxford University Press.
Hauser-Schäublin and Harnish 2014
Hauser-Schäublin, Brigitta, and David Harnish. 2014. “Negotiating Identities within Majority-Minority Relationships in Bali and Lombok.” In Brigitta Hauser-Schäublin and David Harnish (Eds.), Between Harmony and Discrimination: Negotiating Interreligious Relationships in Bali and Lombok (pp. 1–32). Leiden: Brill.
Hayward 2012
Hayward, Philip. 2012. “A Place in the World: Globalization, Music, and Contemporary Identity in Vanautu Music.” In Bob W. White (ed.), Globalization and Music: Critical Encounters (pp. 52–74). Bloomington: Indiana University Press.
Heimarck 2003
Heimark, Brita Renee. 2003. Balinese Discourses on Music and Modernization: Village Voices and Urban Views. Routledge Current Research in Ethnomusicology, vol. 5. New York and London: Routledge.
Helmholtz 1954
Helmholtz, Hermann. 1954. On the Sensations of Tone. New York: Dover Publications.
Henahan 1984
Henahan, Donal. (March 23, 1984). “Philharmonic: Incarnations of Spring.” New York Times.
Herbst 1981
Herbst, Edward. 1981. “Intrinsic Aesthetics in Balinese Artistic and Spiritual Practice.” Asian Music 13 (1), 43–52.
Herbst 1997
Herbst, Edward. 1997. Voices in Bali: Energies and Perceptions in Vocal Music and Dance Theater. Hanover, NH: Wesleyan University Press.
Herbst 1999
Herbst, Edward. 1999. “The Roots of Gamelan.” Liner notes to CD. New York: World Arbiter.
Herbst 2009
Herbst, Edward. 2009. “Bali 1928: Gamelan Gong Kebyar–Balaluan, Pangkung, Busungbiu.” Liner notes to CD. New York: World Arbiter.
Herbst 2011
Herbst, Edward. 2011. “Bali 1928: Gamelan Gong Kebyar.” Liner notes to CD. New York: World Arbiter.
Herbst 2015
Herbst, Edward. 2015. Bali 1928–Volume III: Lotring and the Sources of Gamelan Tradition. Liner notes to CD. New York: Arbiter of Cultural Traditions.
Hesselink 2004
Hesselink, Nathan. 2004. “Samul nori as Tradition: Preservation and Innovation in a South Korean Contemporary Percussion Genre.” Ethnomusicology 48 (3), 405–39.
Hill 2000
Hill, Peter. 2000. Stravinsky: The Rite of Spring. Cambridge: Cambridge University Press.
Hinzler 1986–87
Hinzler, Heidi. 1986–87. Catalogue of Balinese manuscripts in the Library of the University of Leiden and other collections in the Netherlands. Part I, Reproductions of the Balinese drawings from the van der Tuuk Collection. Leiden: Brill.
Hohepa 2000
Hohepa, Margie Kahukura. 2000. “Biliterate Practices in the Home: Supporting Indigenous Language Regeneration.” Journal of Language, Identity and Education 5 (4), 293–315.
Hood 1960
Hood, Mantle. 1960. “The challenge of ‘bi-musicality.’” Ethnomusicology 4 (2), 55–59.
Hood 1982
Hood, Mantle. 1982. The Ethnomusicologist. Kent, OH: Kent State University Press.
Hood 2010
Hood, Made Mantle. 2010. Triguna: A Hindu-Balinese Philosophy for Gong Gede Music. Berlin: Lit Verlag.
Howard 2012
Howard, Keith (ed.). 2012. Music as Intangible Cultural Heritage: Policy, Ideology, and Practice in the Preservation of East Asian Traditions. Farnham: Ashgate.
Howat 1994
Howat, Roy. 1994. “Debussy and the Orient.” In Andrew Gerstle and Anthony Milner (Eds.), Recovering the Orient: Artists, Scholars, Appropriation (pp. 45–82). New York: Taylor and Francis.
Hugh 1997
Hugh, Brett. 1997. “Claude Debussy and the Javanese Gamelan.” Lecture notes. Kansas City: University of Missouri.
Isar 2012
Isar, Yudhishthira Raj. 2012. “Shifting Economic Power: New Horizons for Cultural Exchange in Our Multi-Polar World.” In Public and Private Cultural Exchange-Based Diplomacy: New Models for the 21st Century, White Paper no. 2, 1–15. Salzburg Global Seminar: Robert Sterling Clark Foundation.
Jones and Boltz 1989
Jones, Mari R., and Marilyn Boltz. 1989. “Dynamic attending and responses to time.” Psychological Review 96 (3), 459.
Kartomi 1979
Kartomi, Margaret J. 1979. “Minangkabau Musical Culture: The Contemporary Scene and Recent Attempts at Its Modernization.” In G. Davis (ed.), What Is Modern Indonesia Culture? (pp. 19–36). Athens: Ohio University Press.
Kartomi 1998
Kartomi, Margaret J. 1998. “Sumatra.” In S. Williams and Terry E. Miller (Eds.), Southeast Asia (pp. 598–629). Vol. 4, Garland Encyclopedia of World Music. New York: Garland.
Kartomi 2012
Kartomi, Margaret J. 2012. Musical Journeys in Sumatra. Urbana: University of Illinois Press.
Keeler 2006
Keeler, Ward. 2006. “The Pleasures of Polyglossia: Translation in Balinese and Javanese Performing Arts.” In Jennifer Lindsay (ed.), Between Tongues: Translation and/of/in Performance in Asia. Singapore: Singapore University Press.
Khalil 2010
Khalil, Alexander K. 2010. “Gaining insight into cultural geography through the study of musical instruments.” Journal for Learning through the Arts 6 (1), 1–14.
Khalil and Minces 2013
Khalil, Alexander K., Victor Minces, Grainne McLoughlin, and Andrea Chiba. 2013. “Group rhythmic synchrony and attention in children.” Frontiers in Psychology 4 (564), 1–7.
Kriteria Pekan Seni Remaja 2007
Kritéria Pekan Seni Remaja Kota Denpasar XXII tahun 2007 [Criteria for the 22nd Youth Art Week of Denpasar City in 2007].
Kunst 1973
Kunst, Jaap. 1973 (1949). Music in Java: Its History, Its Theory, and Its Techniques, 2 vols. Revised English edition of De Toonkunst van Java, 2 vols. The Hague: Martinus Nijhoff.
Kunst and Kunst-van Wely 1925a
Kunst, Jaap, and C.J.A. Kunst-van Wely. 1925a. De Toonkunst van Bali. Weltevreden: Koninklijk Bataviaasch Genootschaap.
Kunst and Kunst-van Wely 1925b
Kunst, Jaap, and C.J.A. Kunst-van Wely. 1925b. “De Toonkunst van Bali.” Tijdschrift voor Indische Taal-, Lland-, en Volkenkunde 65, 369–508.
Kusumadilaga 1930
Kusumadilaga. 1930 (1879). “Kangjeng Pangeran Harya.” Serat Sastramiruda. Solo: De Bliksem.
Langub and Seling 1989
Langub, Jayl, and Ding Seling. 1989. “The Orang Ulu: An Overview.” Sarawak Museum Journal 49 (61), 19–36.
Lansing 2006
Lansing, John Stephen. 2006. Perfect Order: Recognizing Complexity in Bali. Princeton, NJ: Princeton University Press.
Larasati 2013
Larasati, Rachmi Diyah. 2013. The Dance That Makes You Vanish: Cultural Reconstruction in Post-Genocide Indonesia. Minneapolis: University of Minnesota Press.
Large and Jones 1999
Large, Edward W., and Mari Riess Jones. 1999. “The dynamics of attending: How people track time-varying events.” Psychological Review 106 (1), 119–59.
Latour 2007
Latour, Bruno. 2007. Reassembling the Social: An Introduction to Actor Network Theory. New York: Oxford University Press.
Latour 2013
Latour, Bruno. 2013. An Inquiry into Modes of Existence. Cambridge, MA: Harvard University Press.
Lepecki 2004
Lepecki, Andre (ed.). 2004. Of the Presence of the Body: Essays on Dance and Performance Theory. Middletown, CT: Wesleyan University Press.
Lesure and Smith 1977
Lesure, François, and Richard Langham Smith (Eds.). 1977. Debussy on Music: The Critical Writings of the Great French Composer Claude Debussy. New York: Alfred A. Knopf.
Lindsay and Liem 2012
Lindsay, Jennifer, and Maya Liem (Eds.) 2012. Heirs to World Culture: Being Indonesian 1950–1965, Verhandelingen Van Het Koninklijk Instituut Voor Taal-, Land- En Volkenkunde. Amsterdam: Brill.
Lister 1998
Lister, Ruth. 1998. Citizenship: Feminist Perspectives. New York: New York University Press.
Lockspeiser 1962
Lockspeiser, Edward. 1962. Debussy: His Life and Mind, Vol. 1: 1862–1902. London: Cassell.
Locke and Koen 2008
Locke, Kevin, and Benjamin D. Koen. 2008. “The Lakota Hoop Dance as Medicine for Social Healing.” In Benjamin D. Koen, Jacqueline Lloyd, Gregory Barz, and Karen Brummel-Smith (Eds.), Oxford Handbook for Medical Ethnomusicology (pp. 482–99). Oxford: Oxford University Press.
Lomax 1968
Lomax, Alan. 1968. Folk Song Style and Culture. New Brunswick, NJ: Transaction Publishers.
Lowenthal 1992
Lowenthal, David. 1992. “Authenticity? The Dogma of Self-Delusion.” In Mark Jones (ed.), Why Fakes Matter: Essays on Problems of Authenticity (pp. 184–92). London: British Museum Press.
Lueck 2012
Lueck, Ellen. 2012. “‘Sekaha Gong Amerika’: Affinity and the Balinese Gamelan Community in the United States and Canada.” Master’s thesis. Wesleyan University.
MacAloon 1984
MacAloon, John. 1984. Rite Drama, Festival, Spectacle: Rehearsals Toward a Theory of Cultural Performance. Philadelphia: Institute for the Study of Human Issues.
Mauller 1986
Mauller, Richard. 1986. “Javanese Influence on Debussy’s Fantaisie and Beyond.” Nineteenth-Century Music 10 (2), 157–86.
Macy 2010
Macy, Elizabeth McLean. 2010. “Music Tourism in New Orleans and Bali: A Comparative Study of Cultural Tourism Development.” PhD diss. University of California, Los Angeles.
Mahmood 2011
Mahmood, Saba. 2011. Politics of Piety: The Islamic Revival and the Feminist Subject. Princeton, NJ: Princeton University Press.
Manuel 2015
Manuel, Peter. 2015. Tales, Tunes, and Tassa Drums: Retention and Invention in Indo-Carribean Music. Urbana: University of Illinois Press.
Maret 2010
Maret, Alan. 2010. “Vanishing Songs: How Music Extinctions Threaten the Planet.” Ethnomusicology Forum 19 (2), 249–62.
Mashino-2009
Mashino, Ako. 2009. “Competition as a New Context for the Performance of Balinese Gender Wayang.” Yearbook for Traditional Music 41, 111–37.
Masunah 2003
Masunah, Juju, et al. 2003. Angklung di Jawa Barat: Sebuah Perbandingan (Angklung in West Java: A Comparison). Bandung, Indonesia: Pusat Penelitian dan Pengembangan Pendidikan Seni Tradisional.
Matusky 1986
Matusky, Patricia. 1986. “Aspects of Musical Style Among the Kajang, Kayan and Kenyah-Badang of the Upper Rejang River: A Preliminary Survey.” Sarawak Museum Journal 36 (57), 185–229.
Matusky 1990
Matusky, Patricia. 1990. “Music Styles Among the Kayan, Kenyah-Badang and Malay Peoples of the Upper Rejang River [Sarawak]: A Preliminary Survey.” Sarawak Museum Journal 41 (62), 115–49.
Matusky and Beng 2004
Matusky, Patricia, and Tan Sooi Beng. 2004. The Music of Malaysia. Aldershot: Ashgate.
Maxwell 1989
Maxwell, Allen. 1989. “A Survey of the Oral Traditions of Sarawak.” Special issue no. 4, part 1. Sarawak Museum Journal 40 (61), 168–208.
McDowell 1893
McDowell, Edward B. 1893. “The World’s Fair Cosmopolis.” Frank Leslie’s Popular Monthly 36, 407–16.
McGraw 2005
McGraw, Andrew. 2005. “Musik Kontemporer: Experimental Music by Balinese Composers.” PhD diss. Middletown, CT: Wesleyan University.
McGraw 2008a
McGraw, Andrew Clay. 2008. “The Perception and Cognition of Time in Balinese Music.” Empirical Music Review 3 (2), 38–54.
McGraw 2008b
McGraw, Andrew Clay. 2008. “Different Temporalities: The Time of Balinese Gamelan.” Yearbook for Traditional Music 40, 136–62.
McGraw 2013a
McGraw, Andrew Clay. 2013. Radical Traditions: Reimagining Culture in Balinese Contemporary Music. New York: Oxford University Press.
McGraw 2013b
McGraw, Andrew Clay. 2013. “The Ethical-Aesthetics of I Wayan Sadra (1953–2011).” In Kendra Stepputat (ed.), Performing Arts in Bali: Changing Interpretations, Founding Traditions, vol. 24 (pp. 335–62). Graz, Austria: Graz Studies in Ethnomusicology.
McGraw 2013c
McGraw, Andrew Clay. 2013. “The Gamelan and Indonesian Music in America.” Oxford University Press. Retrieved from http://blog.oup.com/2013/11/gamelan-indonesian-music-america/ (May 1, 2015).
McPhee 1946
McPhee, Colin. 1946. A House in Bali. New York: John Day.
McPhee 1966
McPhee, Colin. 1966. Music in Bali: A Study in Form and Instrumental Organization in Balinese Orchestral Music. New Haven: Yale University Press.
McPhee n.d.
McPhee, Colin. n.d. Collection 1975.06. Ethnomusicology Archive, University of California, Los Angeles.
Mendonça 2002
Mendonça, Maria. 2002. “Javanese Gamelan in Britain: Communitas, Affinity and Other Stories.” PhD diss. Wesleyan University.
Meeker 2013
Meeker, Lauren. 2013. Sounding Out Heritage: Cultural Politics and the Social Practice of Quan Ho Folk Song in Northern Vietnam. Honolulu: University of Hawai’i Press.
Metcalf 2010
Metcalf, Peter. 2010. The Life of the Longhouse: An Archaeology of Ethnicity. Cambridge: Cambridge University Press.
Moraga 1986
Moraga, Cherrie. 1986. Giving Up the Ghost: Teatro in Two Acts. Los Angeles: West End Press.
Morishige and Shin 1988
Morishige, Yukitoshi, and Nakagawa Shin. 1988. “An Informal Chronology of Gamelan in Japan.” (Ueno Michiko, Trans.). Balungan 3 (2), 15–18.
Mowforth and Munt 2009
Mowforth, Martin, and Ian Munt. 2009. Tourism and Sustainability: Development, Globalisation and New Tourism in the Third World (3rd ed.). London: Routledge.
Mrazek 2005
Mrazek, Jan. 2005. Phenomenology of a Puppet Theatre: Contemplation on the Art of Javanese Wayang Kulit. Leiden: KITLV Press.
Mullen 2015
Mullen, Tim, Alexander Khalil, Tomas Ward, John Iversen, Grace Leslie, Richard Warp, Matt Whitman, Victor Minces, Aaron McCoy, and Alejandro Ojeda. 2015. “MindMusic: Playful and Social Installations at the Interface Between Music and the Brain.” In Anton Nijholt (ed.), More Playful User Interfaces (pp. 197–229). New York: Springer.
Naylor and Naylor 2008
Naylor, Léonie, and Michael Naylor. 2008. “The Educator’s Role in Cultural Healing and the Sacred Space of the World Music Classroom.” In Benjamin D. Koen, Jacqueline Lloyd, Gregory Barz, and Karen Brummel-Smith (Eds.), Oxford Handbook of Medical Ethnomusicology (pp. 500–37). Oxford: Oxford University Press.
Nealon 2012
Nealon, Jeffrey T. 2012. Post-postmodernism, or, The Logic of Just-in-Time Capitalism. Stanford, CA: Stanford University Press.
Neuman 1980
Neuman, Daniel M. 1980. “The Ecology of Hindustani Music Culture” In The Life of Music in North India. Detroit: Wayne State University Press.
Nye 2008
Nye, Joseph S. 2008. “Public Diplomacy and Soft Power.” Annals of the American Academy of Political and Social Science 616, 94–109.
Oja 1990
Oja, Carol J. 1990. Colin McPhee: Composer in Two Worlds. Washington, DC: Smithsonian Institution Press.
Ong 2006
Ong, Aihwa. 2006. Neoliberalism as Exception: Mutations in Citizenship and Sovereignty. Durham: Duke University Press.
Partch 1974
Partch, Harry. 1974. Genesis of a Music (2nd ed.). New York: Da Capo Press.
Patel 2010
Patel, Aniruddh D. 2010. “Music, Biological Evolution, and the Brain.” In C. Levander and C. Henry (Eds.), Emerging Disciplines (pp. 91–144). Houston: Rice University Press.
Pedelty 2012
Pedelty, Mark. 2012. Ecomusicology: Rock, Folk, and the Environment. Philadephia: Temple University Press.
Perez 1998
Perez, Gilberto. 1998. The Material Ghost: Films and Their Medium. Baltimore: Johns Hopkins University Press.
Perlman 1994
Perlman, Marc. 1994. “American Gamelan in the Garden of Eden: Intonation in a Cross-Cultural Encounter.” Musical Quarterly 78 (3), 510–56.
Perlman 2004
Perlman, Marc. 2004. Unplayed Melodies: Javanese Gamelan and the Genesis of Music Theory. Berkeley: University of California Press.
Perris 1971
Perris, Arnold. 1971. “The Rebirth of the Javanese Angklung.” Ethnomusicology 15 (3), 403–407.
Picard 1996a
Picard, Michel. 1996. “Dance and Drama in Bali.” In Adrian Vickers (ed.), Being Modern in Bali: Image and Change (pp. 115–57). New Haven: Yale University Southeast Asia Studies.
Picard 1996b
Picard, Michel. 1996. Bali: Cultural Tourism and Touristic Culture. Diana Darling (Trans.). Singapore: Archipelago Press.
Piekut 2014
Piekut, Benjamin. 2014. “Actor-Networks in Music History: Clarifications and Critiques.” Twentieth-Century Music 11 (2), 191–215.
Polansky 2009
Polansky, Larry, D. Rockmore, M. K. Johnson, D. Repetto, and W. Pan. 2009. “A Mathematical Model for Optimal Tuning Systems.” Perspectives of New Music 47, 69–110.
Pringle 2004
Pringle, Robert. 2004. A Short History of Bali: Indonesia’s Hindu Realm. Crow’s Nest, Australia: Allen and Unwin.
Pronko 1967
Pronko, L. C. 1967. Theatre East and West: Perspectives Toward a Total Theatre. Berkeley: University of California Press.
Propinsi Kalimantan Timur 1974
Propinsi Kalimantan Timur. 1974. Nota Penjelasan Keuangan R.A.P.B.D. Tahun 1974/75 dan Hasil-Hasil PELITA I 1969/80–1973/74. (Financial Notes on R.A.P.B.D. for the Years 1974/75 and the Results of PELITA I 1960/70–1973/74.) Samarinda: Propinsi Kalimantan Timur.
Rachman 2012
Rachman, Noer Fauzi. 2012. Land Reform dari Masa Ke Masa. Perjalanan Kebijakan Pertanahan Indonesia (Land Reform from Time to Time. The Journey of Land Policy in Indonesia). Yogyakarta: Tanah Air Beta.
Raffles 1817
Raffles, T. Stanford. 1817 (1982). The History of Java, 2 vols. Kuala Lumpur: Oxford University Press.
Rai 1996
Rai, I Wayan. 1996. “Balinese Gamelan Semar Pagulingan Saih Pitu: The Modal System.” PhD diss. University of Maryland, Baltimore County.
Rancier 2014
Rancier, Megan. 2014. “The Musical Instrument as a National Archive: A Case Study of the Kazakh Qyl-qobyz.” Ethnomusicology 58 (3), 379–404.
Rappaport 2004
Rappaport, Dana. 2004. “Ritual Music and Christianization in the Toraja Highlands, Sulawesi.” Ethnomusicology 48 (3), 378–404.
Rasmussen 2010
Rasmussen, Anne. 2010. Women, the Recited Qur’an, and Islamic Music in Indonesia. Los Angeles: University of California Press.
Reed 1981
Reed, C. L. 1981. Shadowmaster (film). San Francisco: ShadowLight Productions.
Rees 2016
Rees, Helen. 2016. “Environmental Crisis, Culture Loss, and a New Musical Aesthetic: China’s ‘Original Ecology Folksongs’ in Theory and Practice.” Ethnomusicology 60 (1), 53–88.
Reisnour 2013
Reisnour, Nicole. 2013. “Teleologies of Emancipation and the Problem of Agency in Studies of Women’s Music-making in Bali.” Paper delivered at Performing Indonesia: A Conference and Festival of Music, Dance, and Drama (October 31–November 3), Washington, D.C.
Reiswig 2008
Reiswig, Jessie. 2008. “Glossary for Volume 2.” In Ellen Koskoff (ed.), The Concise Garland Encyclopedia of World Music, Vol. 2 (The Middle East, South Asia, East Asia, Southeast Asia), (p. 1365). New York: Routledge.
Risnandar 2010
Risnandar. 2010. “Wakidjo pengendhang handal klenèngan gaya Surakarta.” MA thesis. Karawitan, Institut Seni Indonesia.
Robinson 1995
Robinson, Geoffrey. 1995. The Dark Side of Paradise: Political Violence in Bali. Ithaca, NY: Cornell University Press.
Rony 2006
Rony, Fatimah Tobing. 2006. “The Photogenic Can’t Be Tamed: Margaret Mead and Gregory Bateson’s Trance and Dance in Bali.” Discourse 28 (1), 5–27. Detroit: Wayne State University Press.
Ross 2008
Ross, Alex. 2008. The Rest is Noise. New York: Farrar, Straus and Giroux.
Rousseau 1990
Rousseau, Jérôme. 1990. Central Borneo: Ethnic Identity and Social Life in a Stratified Society. Oxford: Clarendon Press.
Rubenstein 1973
Rubenstein, Carol. 1973. “Poems of Indigenous Peoples of Sarawak: Some of the Songs and Chants.” 2 vols. Special Monograph no. 2. Sarawak Museum Journal 47.
Ruckert 2004
Ruckert, George. 2004. Music in North India: Experiencing Music, Expressing Culture. New York: Oxford University Press.
Rudes 1965
Rudes, R. R. 1965. “A General Description of Peoples and Places on the Kajan River of East Kalimantan, Indonesia.” Unpublished paper.
Rudinow 1994
Rudinow, Joel. 1994. “Race, Ethnicity, Expressive Authenticity: Can White People Sing the Blues?” Journal of Aesthetics and Art Criticism 52 (1), 127–38.
Sadra 2007
Sadra, I Wayan. 2007. “International Gamelan Festival Amsterdam 2007. Menegakkan Identitas Global Gamelan.” Gong 92 (7), 52–53.
Salisbury 2000
Salisbury, David A. 2000. “Aspects of Musical and Social Identity in the Talempong Musical Tradition of the Payakumbuh Region, West Sumatra, Indonesia.” PhD diss. University of New England.
Salisbury 2009
Salisbury, David A. 2009. Tali Nan Bapilin Tigo (Three Strings Entwined): A Study of Minangkabau Talempong Tradition in West Sumatra, Indonesia. Saarbrucken, Germany: Lambert Academic Publishing.
Salois 2013
Salois, Kendra. 2013. “The Networked Self: Hip Hop Musicking and Muslim Identities in Neoliberal Morocco.” PhD diss., Music. University of California, Berkeley.
Savarese 2001
Savarese, Nicola, and Richard Fowler. 2001. “1931: Antonin Artaud Sees Balinese Theatre at the Paris Colonial Exposition.” Drama Review 45 (3), 51–77.
Savigliano 1995
Savigliano, Marta E. 1995. Tango and the Political Economy of Passion. Boulder, CO: Westview Press.
Schiff 1998
Schiff, David. 1998. The Music of Elliot Carter (2nd ed.). Ithaca, NY: Cornell University Press.
Schippers 2010
Schippers, Huib. 2010. “Three Journeys, Five Recollections, Seven Voices: Operationalising Sustainability in Music.” In Klisala Harris, Elizabeth Mackinlay, and Svanibor Pettan (Eds.), Applied Ethnomusicology: Historical and Contemporary Approaches (pp. 150–60). Newcastle upon Tyne: Cambridge Scholars.
Schulte 2007
Schulte Nordholt, Henk. 2007. Bali: An Open Fortress, 1995–2005: Regional Autonomy, Electoral Democracy and Entrenched Identities. Singapore: National University of Singapore Press.
Sedana 2005
Sedana, I Nyoman. 2005. “Theatre in a Time of Terrorism: Renewing Natural Harmony after the Bali Bombing via Wayang Kontemporer.” Asian Theater Journal 22 (1), 73–86.
Seebass 1973
Seebass, Tillman. 1973. Liner notes to LP Panji in Bali I. Basel, Switzerland: Bärenreiter-Musicaphon BRM 30 SL 2565.
Seebass 1996
Seebass, Tilman. 1996. “Change in Balinese Musical Life: Kebiar in the 1920s and 1930s.” In Adrian Vickers (ed.), Being Modern in Bali: Image and Change. Southeast Asia Studies, monograph 43. New Haven: Yale University Press.
Seeger 2010
Seeger, Anthony. 2010. “Towards an Ecology of Musical Practice.” Paper given at the University of California at Berkeley, February 10, 2010.
Seeger 2014
Seeger, Anthony. 2014. “Foreword.” In Catherine Grant, Music Endangerment: How Language Maintenance Can Help (pp. vii–x). New York: Oxford University Press.
Seeler 1975
Seeler, Joan. 1975. “Kenyah Dance, Sarawak, Malaysia.” Master’s thesis. University of Hawai’i–Manoa.
Sekehe Semara Pegulingan Bale Batur 1971
Sekehe Semara Pegulingan Bale Batur [Gamelan Sapta Suara, Kamassan]. 1971/1980. Unpublished recordings by Robert Brown, Sousa Archive, University of Illinois at Urbana-Champaign. Reel-to-reel tape.
Sekehe Semara Pegulingan Bale Batur 1973
Sekehe Semara Pegulingan Bale Batur [Semar Pegulingan Orchestra from Kamasan]. 1973. “Gadung Melatih,” on Panji in Bali I. Basel, Switzerland: Bärenreiter-Musicaphon BRM 30 SL 2565, LP.
Sethares 2005
Sethares, William A. 2005 (2nd ed.). Tuning, Timbre, Spectrum, Scale. London: Spring-Verlag.
Sinti and Sanger 2006
Sinti, I Wayan, and Annette Sanger. 2006. “Gamelan Manikasanti: One Ensemble, Many Musics.” Asian Music 37 (2), 34–57.
Slobin 1993
Slobin, Mark. 1993. Subcultural Sounds: Micromusics of the West. Hanover, NH: University Press of New England.
Smith 1977
Smith, Richard Langham (Trans.). 1977. Debussy on Music. New York: Alfred A. Knopf.
Smith 2012
Smith, Linda Tuhiwai. 2012. Decolonizing Methodologies: Research and Indigenous Peoples. London: Zed Books.
Snow 1986
Snow, Stephen. 1986. “Intercultural Performance: The Balinese-American Model.” Asian Theatre Journal 3 (2), 204–32.
Solís 2004
Solís, Ted (ed.). 2004. Performing Ethnomusicology: Teaching and Representation in World Music Ensembles. Berkeley: University of California Press.
Song 2011
Song, Judy H., Erika Skoe, Karen Banai, and Nina Kraus. 2011. “Perception of speech in noise: Neural correlates.” Journal of Cognitive Neuroscience 23 (9), 2268–79.
Sontag 1988
Sontag, Susan. 1988. “Artaud: An Essay.” In Susan Sontag (ed.), Antonin Artaud: Selected Writings (pp. xvii–lix). Berkeley and Los Angeles: University of California Press.
Sorrell 1992
Sorrell, Neil. 1992. “Gamelan: Occident or Accident?” Musical Times 133 (1788), 66–68.
Sperber 1985
Sperber, Dan. 1985. “Anthropology and Psychology: Towards an Epidemiology of Representations.” Man 20 (1), 73–89.
Spiller 2015
Spiller, Henry. 2015. Javaphilia: American Love Affairs with Javanese Music and Dance. Honolulu: University of Hawai’i Press.
Steele 2013
Steele, Peter. 2013. “Balinese Hybrities: Balinese Music as Global Phenomena.” PhD diss. Wesleyan University.
Stepputat 2013
Stepputat, Kendra. 2013. “Using Different Keys: Dalang Made Sidia’s Contemporary Approach to Traditional Balinese Performing Arts.” In Kendra Stepputat (ed.), Performing Arts in Postmodern Bali: Changing Interpretations, Founding Traditions. Graz, Austria: Studies in Ethnomusicology.
St. John 2012
St. John, Graham. 2012. “Tribalism, Experience, and Remixology in Global Psytrance Culture.” In Courtney Bender and Ann Taves (Eds.), What Matters: Ethnographies of Value in a Not So Secular Age (pp. 248–76). New York: Columbia University Press.
Strait and Kraus 2011
Strait, Dana, and Nina Kraus. 2011. “Playing music for a smarter ear: Cognitive, perceptual and neurobiological evidence.” Music Perception 29 (2), 133–46.
STSI Denpasar 1985
STSI Denpasar. 1985. Tabuh Semar Pegulingan Saih Pitu, vol. 13. Denpasar, Indonesia: Bali Record B-760, cassette.
Sumarsam 1984
Sumarsam. 1984. “Inner Melody in Javanese Gamelan.” In Judith Becker and Alan Feinstein (Eds.), Karawitan: Source Readings in Javanese Gamelan and Vocal Music (pp. 245–304). Ann Arbor: University of Michigan, center for South and Southeast Asian Studies.
Sumarsam 2004
Sumarsam. 2004. “Opportunity and Interaction: The Gamelan from Java to Wesleyan.” In Ted Solís (ed.), Performing Ethnomusicology: Teaching and Representation in World Music Ensembles (pp. 69–92). Berkeley: University of California Press.
Sumarsam 2013
Sumarsam. 2013. Javanese Gamelan and the West. Rochester, NY: University of Rochester Press.
Sumarsam 2015
Sumarsam. 2015. “Bali-Java Cultural Exchange: Gamelan Carabalèn.” In Mohd Anis Md Nor et al. (Eds.), Interculturalism and the Mobility of the Performing Arts: Sound, Movement, Place—Choreomusicology of Humanly Organized Expression (pp. 112–16). Third Symposium of the ICTM Study Group on Performing Arts of Southeast Asia. Denpasar: Indonesian Arts Institute.
Sunardi 2013
Sunardi, Bambang Suwarno, and Bambang Pujiono. 2013. “Pelestarian dan Pengembangan Wayang Gedog.” Gelar 11 (2), 265.
Sunindyo 1996
Sunindyo, Saraswati. 1996. “Murder, Gender and the Media.” In Laura Sears (ed.), Fantasizing the Feminine in Indonesia (pp. 120–39). Durham, NC: Duke University Press.
Sutton 2002
Sutton, Richard A. 2002. Calling Back the Spirit: Music, Dance, and Cultural Politics in Lowland South Sulawesi. New York: Oxford University Press.
Sweeney 1987
Sweeney, Amin. 1987. A Full Hearing: Orality and Literacy in the Malay World. Berkeley: University of California Press.
Syafii 2009
Syafii, Sulhan. 2009. Udjo: Diplomasi Angklung (Udjo: Angklung Diplomacy). Jakarta, Indonesia: Penerbit PT Grasindo.
Tageldin 2009
Tageldin, Shaden. 2009. “Which Qalam for Algeria? Colonialism, Liberation, and Language in Djebar’s L’Amour, la Fantasia and Mustaghainimi Dhakirat Al-Jasad.” Comparative Literature Studies 46, 3. Philadelphia: Pennsylvania State University Press.
Tamagawa 1988
Tamagawa, Kiyoshi. 1988. “Echoes from the East: The Javanese Gamelan and its Influence on the Music of Claude Debussy.” D.M.A. document. Austin: University of Texas.
Tan 2012
Tan, Shzr Ee. 2012. Beyond “Innocence”: Amis Aboriginal Song in Taiwan as an Ecosystem. SOAS Musicology Series. Farnham, England: Ashgate.
Tang 2007
Tang, Patricia. 2007. Masters of the Sabar: Wolof Griot Percussionists of Senegal. Philadelphia: Temple University Press.
Tenney 1988
Tenney, James. 1988. A History of ‘Consonance’ and ‘Dissonance.’ New York: Excelsior Music Publishing.
Tenzer 2000
Tenzer, Michael. 2000. Gamelan Gong Kebyar: The Art of Twentieth-Century Balinese Music. Chicago: University of Chicago Press.
Tenzer 2005
Tenzer, Michael. 2005. “Wayan Gandera and the Hidden History of Gamelan Gong Kebyar.” Asian Music 36 (1), 109–22.
Terwen 2009
Terwen, Jan Willem. 2009. Gamelan in Nineteenth-Century Netherlands: An Encounter Between East and West. Utrecht: Koninklike Vereniging voor Nederlandse Muziekgeschiedenis.
Titon 2009a
Titon, Jeff Todd. 2009. “Economy, Ecology, and Music: An Introduction.” World of Music 51 (1), 5–15.
Titon 2009b
Titon, Jeff Todd. 2009. “Music and Sustainability: An Ecological Viewpoint.” World of Music 51 (1), 119–37.
Titon 2010
Titon, Jeff Todd. 2010. “Music and sustainability: An ecological viewpoint.” World of Music 51 (1), 119–37.
Titon 2013
Titon, Jeff Todd. 2013. “The Nature of Ecomusicology.” Música e Cultura: Revista da ABET 8 (1), 8–18.
Titon and Slobin 1992
Titon, Jeff, and Mark Slobin. 1992. “The Music Culture as a World of Music.” In Jeff Titon (ed.), Worlds of Music: An Introduction to the Music of the World’s Peoples (pp. 1–15). Belmont, CA: Schirmer/Thompson Learning.
Tiwon 2002
Tiwon, Silvya. 2002. “Failure of the Imaginary: Gendered Excess of the Indonesian Nation.” In Sonita Sarker and Esha Niyogi De (Eds.), Trans-Status Subjects: Gender in the Globalization of South and Southeast Asia. Durham, NC: Duke University Press.
Toer 1997
Toer, Pramoedya Ananta. 1997. House of Glass (Buru Quartet). Max Lane (Trans.). New York: Penguin Group.
Ton and Bubandt 2010
Ton, Nils, and Otto Bubandt (Eds.). 2010. Experiments in Holism: Theory and Practice in Contemporary Anthropology. Walden, MA: Wiley-Blackwell.
Toplak 2006
Toplak, Maggie E., Colleen Dockstader, and Rosemary Tannock. 2006. “Temporal information processing in ADHD: Findings to date and new methods.” Journal of Neuroscience Methods 151 (1), 15–29.
Toth 1979
Toth, Andrew. 1979. “Review: Panji in Lombok II by Tilman Seebass; Panji in Bali I by Tilman Seebass.” Ethnomusicology 23 (2), 354–57.
Turino 1999
Turino, Thomas. 1999. “Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music.” Ethnomusicology 43 (2), 221–55.
Turner 2008
Turner, Victor. 2008 (1969). “Liminality and Communitas.” In The Ritual Process: Structure and Anti-Structure (pp. 94–132). Chicago: Aldine Publishing.
Umeda 2007
Umeda, Hideharu. 2007. “Cultural Policy on Balinese Performing Arts: The First Decade of LISTIBIYA.” Authenticity and Cultural Identity, Senri Ethnological Reports 65, 43–59.
Urano 2010
Urano, Mariko. 2010. The Limits of Tradition: Peasants and Land Conflicts in Indonesia. Melbourne: Trans Pacific Press.
Vetter 2004
Vetter, Roger. 2004. “A Square Peg in a Round Hole: Teaching Javanese Gamelan in the Ensemble Paradigm of the Academy.” In Ted Solís (ed.), Performing Ethnomusicology: Teaching and Representation in World Music Ensembles (pp. 115–25). Chicago: University of Chicago Press.
Vickers 1985a
Vickers, Adrian. 1985. “The Desiring Prince: A Study of the Kidung Malat as Text.” PhD diss. University of Sydney.
Vickers 1985b
Vickers, Adrian. 1985. “The Realm of the Senses: Images of the Court Music of Precolonial Bali.” Imago Musicae 2, 143–78.
Vickers 1987
Vickers, Adrian. 1987. “Hinduism and Islam in Indonesia: Bali and the Pasisir World.” Indonesia 44, 31–58.
Vickers 1996
Vickers, Adrian. 1996. “Modernity and Being “Moderen”: An Introduction.” In Adrian Vickers (ed.), Being Modern in Bali: Image and Change. Southeast Asia Studies Monograph 43 (pp. 1–37). New Haven, CT: Yale University Press.
Vickers 2005
Vickers, Adrian. 2005. Journey of Desire: A Study of the Balinese Text Malat. Leiden: KITLV Press.
Vickers 2012
Vickers, Adrian. 2012 (1989). Bali, A Paradise Created. North Clarendon, VT: Tuttle.
Vitale 2002
Vitale, Wayne. 2002. “Balinese Kebyar Music Breaks the Five-Tone Barrier: New Composition for Seven-Tone Gamelan.” Perspectives of New Music 40 (1). Seattle: University of Washington.
Wakeling 2010
Wakeling, Katherine Elizabeth. 2010. “Representing Balinese Music: A Study of the Practice and Theorization of Balinese Gamelan.” PhD diss. University of London School of Oriental and African Studies.
Wallach 2008
Wallach, Jeremy. 2008. Modern Noise, Fluid Genres: Popular Music in Indonesia, 1997–2001. Madison: University of Wisconsin Press.
Wallis 1980
Wallis, Richard. 1980. “The Voice as a Mode of Cultural Expression in Bali.” PhD diss. University of Michigan.
Weintraub 2010
Weintraub, Andrew. 2010. Dangdut Stories: A Social and Musical History of Indonesia’s Most Popular Music. New York: Oxford University Press.
Whittier 1978
Whittier, Herbert. 1978. “The Kenyah.” In Victor T. King (ed.), Essays on Borneo Societies (pp. 92–123). Oxford: Oxford University Press.
Wiener 1995
Wiener, Margaret. 1995. Visible and Invisible Realms: Power, Magic, and Colonial Conquest in Bali. Chicago: University of Chicago Press.
Wijaya 2007
Wijaya, Suasthi. 2007. “Dramatari Gambuh dan Pengaruhnya pada Dramatari Opera Arja.” PhD diss. Gadjah Mada University, Yogyakarta.
Williams 2001
Williams, Sean. 2001. The Sound of the Ancestral Ship: Highland Music of West Java. Oxford: Oxford University Press.
Williams 2010
Williams, J. 2010. “Robert E. Brown; brought world music to San Diego schools.” San Diego Union-Tribune. Viewed March 12, 2015.
Winet 1998
Winet, Evan. 1998. “Great Reckonings in a Simulated City: Artaud’s Misunderstanding of Balinese Theatre.” Theatre Symposium: A Journal of the Southeastern Theatre Conference 6, 98–107.
Wolber 1992
Wolber, Paul Arthur. 1992. “Maintaining identity through musical performance: Sebland and Gandrung of Banyuwangi, East Java (Indonesia).” PhD diss. University of Illinois, Urbana-Champaign.
Yampolsky 1991
Yampolsky, Philip (ed.). 1991–2000. Music of Indonesia. 20 compact discs. SFW CD 40055–7,40420-29, 40441-7, 40484. Washington, DC: Smithsonian Folkways Recordings.
Yampolsky 1995
Yampolsky, Philip. 1995. “Forces for Change in the Regional Performing Arts of Indonesia.” Bijdragen 151 (4), 700–25.
Yampolsky 1996
Yampolsky, Philip. 1996. Liner notes for CD. Music of Indonesia. Vol. 12, Gongs and Vocal Music from Sumatra: Talempong, Didong, Kulintang, Salawat Dulang. SF CD 40428 Washington, DC: Smithsonian Folkways Recordings.
Yampolsky 1998
Kalimantan: Dayak Ritual and Festival Music. 1998. Music of Indonesia, 17. Notes and recordings by Philip Yampolsky. Smithsonian/Folkways SF40444. Compact disc.
Yampolsky 2001a
Yampolsky, Philip. 2001. “Can the Traditional Arts Survive, and Should They?” Indonesia 71, 175–85.
Yampolsky 2001b
Yampolsky, Philip. 2001. “Indonesia: Cultural and Musical Geography.” In Stanley Sadie (ed.), New Grove of Dictionary of Music and Musicians, 2nd ed., vol. 12. Oxford: Oxford University Press.
Yúdice 2003
Yúdice, George. 2003. The Expediency of Culture: Uses of Culture in the Global Era. Durham, NC: Duke University Press.
Zainu’ddin 1969
Zainu’ddin, Ailsa. 1969. Lagu-Lagu Dari Indonesia/Songs of Indonesia. Victoria, Australia: Heinemann Educational Australia.
Zurbuchen 1981
Zurbuchen, Mary Sabina. 1981. “The Shadow Theater of Bali: Explorations in Language and Text.” PhD diss. University of Michigan.
Zurbuchen 1987
Zurbuchen, Mary Sabina. 1987. The Language of Balinese Shadow Theater. Princeton, NJ: Princeton University Press.
