- Provenance information is currently unavailable
- Previous Owner(s)
Lehmann Maupin Gallery
In this work, artist Do-ho Suh explicitly addresses the concept of identity from a transnational and a Korean perspective by creating a visual oscillation between the individual and the larger social collective, represented by his high-school class. Suh is interested in exploring the tension "between the singular and the plural. In the Korean language there is no such distinction."
- Published References
- Korean Art in the Freer and Sackler Galleries. Washington, D.C. no. 11.6, p. 193.
- 64, 67, 52.
- Rights Statement
Copyright with artist