The Actors Arashi Sangoro II as Tadanobu and Segawa Kikunojo III as Shikuza Gozen in the Play Yoshitsune and the Thousand Cherry Trees

citation

Maker(s)
Artist: Katsukawa Shunshō 勝川春章 (1726-1792)
Historical period(s)
Edo period, 1774
Medium
Woodblock print; ink and color on paper
Dimensions
H x W (overall): 32.1 x 14.8 cm (12 5/8 x 5 13/16 in)
Geography
Japan
Credit Line
The Anne van Biema Collection
Collection
Anne van Biema collection
Accession Number
S2004.3.40
On View Location
Currently not on view
Classification(s)
Print
Type

Woodblock print

Keywords
actor, Anne van Biema collection, drum, Edo period (1615 - 1868), fox, hosoban, Japan, kabuki, theater, ukiyo-e, WWII-era provenance, yakusha-e
Provenance
Provenance information is currently unavailable
Previous Owner(s)

Anne van Biema American, 1915 - 2004
Blanche B. McFetridge born 1874
Frank Lloyd Wright American, 1867 - 1959

Label

Dance (buyo) is a central element of kabuki performance. Here, in a famous episode from the play, Yoshitsune and the Thousand Cherry Trees (Yoshitsune sembonzakura), the actor Arashi Sangoro II (1732-1803) performs a dance in which he struggles not to reveal his true identity as a fox-spirit who has assumed the form of the warrior Tadanobu so that he may remain near the drum that was made from his father's skin. In this dance, as Yoshitsune's mistress Shizuka Gozen (played by Segawa Kikunojo III) plays the hand drum, Tadanobu's movements and gestures increasingly become more foxlike. The dance culminates in a rapid exit along the hanamichi, the stage extension that runs through the audience.

Published References
  • Ann Yonemura with contributions by et al. Masterful Illusions: Japanese Prints from the Anne van Biema Collection. Seattle and Washington. cat. 11, p. 74-75.
Collection Area(s)
Japanese Art
Web Resources
Google Cultural Institute
Rights Statement

Copyright with museum