- Provenance
- Provenance research underway.
- Label
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This print from a series by Kuniyoshi, the preeminent designer of warrior prints in the 1840s, pairs historical warriors with chapters of the eleventh-century literary classic, The Tale of Genji (Genji monogatari). Here, chapter sixteen, "The Gatehouse" (Sekiya) is indicated by the bold symbol and inscription in the frame at the top. In this chapter, Prince Genji meets his former lover, Utsusemi, by chance at the Osaka Barrier. The adjacent square cartouche has a poem not from The Tale of Genji, but composed by the warrior Minamoto no Yoshi'ie (1039-1106) as he passed through the Nakoso Barrier after a punitive campaign in the northern territories. In contrast to many of his warrior images, which portray martial skills, Kuniyoshi's image of Yoshi'ie focuses on the warrior's literary achievement. The poem reads:
Although I thought
that the blowing wind would not come
to the Barrier of Nakoso,
the mountain cherries fall so
that they make the path narrow.
Translation of poem by Joshua S. Mostow
- Published References
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- Ann Yonemura, et al. Masterful Illusions: Japanese Prints from the Anne van Biema Collection. Seattle and Washington. cat. 125, pp. 304-305.
- Collection Area(s)
- Japanese Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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CC0 - Creative Commons (CC0 1.0)
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.
Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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International Image Interoperability Framework
FS-7441_19