Eight Hundred Heroes of a Japanese Water Margin, All Told: Ogata Shuma Hiroyuki

citation

Maker(s)
Artist: Utagawa Kuniyoshi 歌川国芳 (1797-1861)
Historical period(s)
Edo period, 1830-36
Medium
Woodblock print; ink and color on paper
Dimensions
H x W (overall): 37.6 x 25.7 cm (14 13/16 x 10 1/8 in)
Geography
Japan
Credit Line
The Anne van Biema Collection
Collection
Anne van Biema collection
Accession Number
S2004.3.158
On View Location
Currently not on view
Classification(s)
Print
Type

Woodblock print

Keywords
Anne van Biema collection, Edo period (1615 - 1868), hero, Japan, snake, ukiyo-e, warrior, WWII-era provenance
Provenance
Provenance information is currently unavailable
Previous Owner(s)

Anne van Biema American, 1915 - 2004

Label

Following the great success of his "popular" series based on the one hundred eight heroes of the Chinese narrative, The Water Margin, Kuniyoshi embarked on a series titled Eight Hundred Heroes of a Japanese Water Margin, All Told. The theme was so popular that he designed eleven series on various Water Margin themes during his lifetime, a reflection of the popularity of the stories themselves and of his arresting images. Here the hero popularly known as Jiraiya, who possessed supernatural powers and could control frogs and snails, kills a snake because it was terrorizing his friends the frogs. He uses a large firearm aimed at the skull of the snake who coils menacingly toward the viewer as if to emerge from the picture. Stories of Jiraiya, a popular character in kabuki, were so well known that they became the basis for a game similar to hammer, paper, and scissors, where on the count of three, players formed their hands into snake, frog, or snail. According to the rules of the game, the snake eats the frog, the frog eats the snail, and the snail poisons the snake.

Published References
  • Ann Yonemura with contributions by et al. Masterful Illusions: Japanese Prints from the Anne van Biema Collection. Seattle and Washington. cat. 76, pp. 202-3, 206-7.
  • Ann Yonemura, Milo Cleveland Beach, with contributions by The Honorable and Mrs. William Leonhart. Yokohama: Prints From 19th Century Japan. Exh. cat. Washington. cat. 76.
  • David Waterhouse. Review of Masterful Illusions Publication. no. 25. p. 139, fig. 2.
Collection Area(s)
Japanese Art
Web Resources
Google Cultural Institute
Rights Statement

Copyright with museum