Umbrellas Triptych: Sanogawa Ichimatsu I

Maker(s)
Artist: Okumura Masanobu 奥村政信 (1686-1764)
Historical period(s)
Edo period, mid-1740s
Medium
Woodblock print; ink and color on paper
Dimensions
H x W (overall): 31.8 x 15.2 cm (12 1/2 x 6 in)
Geography
Japan
Credit Line
The Anne van Biema Collection
Collection
Anne van Biema collection
Accession Number
S2004.3.13
On View Location
Currently not on view
Classification(s)
Print
Type

Woodblock print

Keywords
Anne van Biema collection, Edo period (1615 - 1868), hosoban, Japan, maple tree, ukiyo-e, umbrella, WWII-era provenance
Provenance
Provenance information is currently unavailable
Previous Owner(s)

Anne van Biema American, 1915 - 2004

Label

Images of actors in Japanese prints are not limited to theatrical settings. In this case, Sanogawa Ichimatsu I (1722-1762), who was known for his skill in playing female roles (onnagata), carries an umbrella ornamented with his crest and wears high geta and a graceful, multilayered robe as he strolls in a beautiful autumn setting. The poem, a haiku (hokku) probably written by the artist Masanobu, reads:

Even in autumn showers,
completely untinged-
a solitary pine tree.

The poem suggests that autumn foliage is colored by the autumn rains. The imagery of the poem and the print also link this scene to Kyoto and the Shigure-tei hermitage of the court poet Fujiwara no Teika (1162-1241). The title of the print, Umbrellas Triptych, right (meaning stage right, viewer's left), indicates that it belongs to a triptych of similar designs, for which one print remains unknown. This print is an elegant example of two-color printing, a process that preceded the development of full-color printing in 1765.

Translation of poem by John T. Carpenter

Published References
  • Ann Yonemura with contributions by et al. Masterful Illusions: Japanese Prints from the Anne van Biema Collection. Seattle and Washington. cat. 6, p. 64-65.
Collection Area(s)
Japanese Art
Web Resources
Google Cultural Institute
Rights Statement

Copyright with museum