- Provenance
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To?
Zhang Daqian (1899-1983). [1]To 1987
Arthur M. Sackler (1913-1987), New York. [2]From 1987
Arthur M. Sackler Gallery, gift of Arthur M. Sackler, New York. [3]Notes:
[1] See object record.
[2] See note 1.
[3] See note 1.
- Previous Owner(s) and Custodian(s)
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Zhang Daqian China, 1899-1983
Dr. Arthur M. Sackler 1913-1987
- Label
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This painting of a horseback rider ascending a cloudy peak, with a torrent below, projects a theme of perseverance. Painted in the last year of Shitao's life, the image was probably self-reflective. From the outset, Shitao's life was beset with difficulties. He was orphaned as an infant when most of his family was murdered in a violent dynastic overthrow. Because his father had been a prince of the conquered dynasty, it was assumed that Shitao would never deign to serve the new dynasty's government. He became a reclusive Buddhist monk and lived for a period in Nanjing, whose sites he recorded in the twelve paintings that comprise the album Reminiscences of Nanjing. The emotional tone in Reminiscences of Nanjing ranges from happy to melancholy. In each painting Shitao used the strong, blunt brushwork that is his signature style, and sometimes he interjected a visually exciting, fresh approach to the natural world. The overall economy of description of Riding the Clouds characterizes Shitao's innovative painting style. He created an approach to painting that, at first glance, seems naively simple but is, in fact, a deliberate and difficult-to-achieve look-one which perhaps resonates with the Daoist view that awkwardness can be the greatest skill.
- Published References
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- Jonathan Hay. Shitao: Painting and Modernity in Early Qing China., reprint. Taibei shi. .
- Chang Wanli. Shitao shuhua ji [Selected Painting and Calligraphy of Shih-Tao]. multi-volumed, Hong Kong. vol. 4, pl. 95.
- Richard Edwards. The Paintings of Tao-chi 1641-ca 1720: Catalogue of an Exhibition Held at the Museum of Art, University of Michigan, August 13-September 17, 1967. Exh. cat. Ann Arbor. pp. 44, 94, fig. 19.
- Richard M. Barnhart. Wintry Forests, Old Trees: Some Landscape Themes in Chinese Painting. Exh. cat. New York. p. 63.
- Les Trois Reves du Mandarin. Exh. cat. Brussels. cat. 84b, pp. 106-7.
- Marilyn Fu, Fu Shen. Studies in Connoisseurship: Chinese Paintings from the Arthur M. Sackler Collections in New York, Princeton, and Washington, D.C., 3rd ed. Princeton, 1973. pp. 302-313.
- et al. Asian Art in the Arthur M. Sackler Gallery: The Inaugural Gift. Washington, 1987. cat. 206, p. 310.
- Collection Area(s)
- Chinese Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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Usage Conditions Apply
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CC0 - Creative Commons (CC0 1.0)
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.
Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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International Image Interoperability Framework
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