Head of a Man

Head of a bearded male, carved from transluscent alabaster. Highly modelled, probably meant to be viewed only from the front. The facial features are rendered in detail. The back surface has two large, straight and smooth tool marks running vertically from top to bottom. The eyes are recessed deeply and inlay is missing, as is the case with the eyebrows. The ears, which stick out nearly perpendicular to the head, are slightly abraded, simply modelled and incised. The mouth lies in a slightly raised plane which extends from the palate to the beard. The lips are slightly modelled and separated by a thin finished groove. The beard, which extends from ear to ear, is represented as a semicircular ledge below the chin. Both front and bottom edges of beard are smoothed. The sculpture rests in a smoothed and finished background field. The parallel grooves define the hair line.

Historical period(s)
300 BCE-100 CE
Medium
Calcite travertine
Dimensions
H x W x D: 19.8 x 17.5 x 9 cm (7 13/16 x 6 7/8 x 3 9/16 in)
Geography
Yemen
Credit Line
Gift of Joseph H. Hirshhorn to the Smithsonian Institution
Collection
Arthur M. Sackler Collection
Accession Number
S1986.511
On View Location
Currently not on view
Classification(s)
Sculpture, Stone
Type

Bust

Keywords
man, Yemen
Provenance

To 1963
André Emmerich Gallery, New York. [1]

From 1963 to 1966
Joseph H. Hirshhorn (1899-1981), purchased from André Emmerich Gallery, New York. [2]

From 1966 to 1986
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, gift of Joseph H. Hirshhorn. [3]

From 1986
Arthur M. Sackler Gallery, transferred from Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC [4]

Notes:

[1] See document from the Hirshhorn Museum and Sculpture Garden, object file, Collections Management Office.

[2] See note 1.

[3] See note 1.

[4] See note 1. See also object file, Collections Management Office.

Previous Owner(s) and Custodian(s)

Hirshhorn Museum and Sculpture Garden
André Emmerich Gallery
Joseph H. Hirshhorn 1899-1981

Description

Head of a bearded male, carved from transluscent alabaster. Highly modelled, probably meant to be viewed only from the front. The facial features are rendered in detail. The back surface has two large, straight and smooth tool marks running vertically from top to bottom. The eyes are recessed deeply and inlay is missing, as is the case with the eyebrows. The ears, which stick out nearly perpendicular to the head, are slightly abraded, simply modelled and incised. The mouth lies in a slightly raised plane which extends from the palate to the beard. The lips are slightly modelled and separated by a thin finished groove. The beard, which extends from ear to ear, is represented as a semicircular ledge below the chin. Both front and bottom edges of beard are smoothed. The sculpture rests in a smoothed and finished background field. The parallel grooves define the hair line.

Label

Numerous often stylized memorial portraits and "face plaques" have been excavated in the cemeteries of Southern Arabia, mainly in the Wadi Beihan and the area of the ancient Qataban Empire (modern Yemen) that flourished between the 5th century BCE and the 1st century CE. in the 19th and 20th centuries. Close parallels to this head are in the Smithsonian's National Museum of Natural History where the remainder of the Hirshhorn collection is today. An updated bibliography on alabaster statues and fragments found throughout modern Yemen can be found in Sabina Antonini, and Mounir Arbach, La statuaria sudarabica in pietra. Rome and Paris (2001). This head stems most likely from the vast cemeteries of ancient Tamna.

Collection Area(s)
Ancient Near Eastern Art
Web Resources
Google Cultural Institute
SI Usage Statement

Usage Conditions Apply

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.

The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The Freer Gallery of Art and Arthur M. Sackler Gallery welcome information that would augment or clarify the ownership history of objects in their collections.