- Provenance
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To 1914
Georges Demotte (1877-1923), Paris, France. [1]From 1914 to 1942
Henri Vever (1854-1942), Paris and Noyers, France, purchased from Georges Demotte (1877-1923), Paris, France on June 6, 1914. [2]From 1942 to 1986
Family member, Paris and Boulogne, France, by inheritance from Henri Vever, Paris and Noyers, France. [3]From 1986
Arthur M. Sackler Gallery, purchased from a family member, Paris and Boulogne, France. [4]Notes:
[1] See Susan Nemazee, "Appendix 7: Chart of Recent Provenance" in An Annotated and Illustrated Checklist of the Vever Collection, Glenn D. Lowry et al (Washington, DC: Arthur M. Sackler Gallery, Smithsonian Institution; Seattle and London: University of Washington Press, 1988), p. 406. See also Glen D. Lowry and Susan Nemazee, "Appendix 2: Ledger of Acquisitions, 1894 and 1907-17" in A Jeweler’s Eye: Islamic Arts of the Book from the Vever Collection (Washington, DC: Arthur M. Sackler Gallery, Smithsonian Institution; Seattle and London: University of Washington Press, 1988), p. 235.
[2] See note 1.
[3] See the Agreement for the Purchase and Sale of the Henri Vever Collection of January 9, 1986, Collections Management Office.
[4] See note 3.
- Previous Owner(s) and Custodian(s)
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Henri Vever 1854-1942
Georges Demotte 1877-1923
Francois Mautin 1907-2003
- Description
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Detached folio from a dispersed copy of Khamsa (Quintet) by Nizami; text: Persian in black nasta'liq script; recto: illuminated text:The story of Nushirwan and his vizier, four columns, thirteen lines; verso: illustration and text: Nushirwan listens to the owls.
Border: The text and the painting are set in gold, green, and red rulings on gold-sprinkled paper.
- Label
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The fine pigments, minute details, elegant lines, and well-drawn figures of this work are typical of early Safavid painting associated with the court of Shah Tahmasp (r. 1524-76) at Tabriz. The story of the Sasanian king Nushirwan and his vizier happening upon a ruined village in which two owls are hooting at each other is from the Makhzan al-asrar, the first poem in Nizami's Quintet.
- Published References
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- Glenn D. Lowry, Susan Nemanzee. A Jeweler's Eye: Islamic Arts of the Book from the Vever Collection. Washington and Seattle. cat. 45, pp. 152-153.
- Glenn D. Lowry, Milo Cleveland Beach, Elisabeth West FitzHugh, Susan Nemanzee, Janet Snyder. An Annotated and Illustrated Checklist of the Vever Collection. Washington and Seattle. cat. 250, p. 222.
- Abolala Soudavar, Milo Cleveland Beach. Art of the Persian Courts: Selections from the Art and History Trust Collection. New York. cat. 31, p. 300.
- Collection Area(s)
- Arts of the Islamic World
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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CC0 - Creative Commons (CC0 1.0)
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.
Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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International Image Interoperability Framework
FS-6233_06