- Provenance
-
1912
Arthur Sambon (1867-1947), Paris, France. [1]From at least 1913
LĂ©once Rosenberg (1879-1947), Paris, France. [2]To at least 1931
Octave Homberg, Paris, France. [3]1931
Sale, Paris, Galerie Georges Petit, Collection de Octave Homberg, 3-5 June, 1931, no. 102. [4]To 1942
Henri Vever (1854-1942), Paris and Noyers, France. [5]From 1942 to 1986
Family member, Paris and Boulogne, France, by inheritance from Henri Vever, Paris and Noyers, France. [6]From 1986
Arthur M. Sackler Gallery, purchased from a family member, Paris and Boulogne, France. [7]Notes:
[1] See Susan Nemazee, "Appendix 7: Chart of Recent Provenance" in An Annotated and Illustrated Checklist of the Vever Collection, Glenn D. Lowry et al. (Washington, DC: Arthur M. Sackler Gallery, Smithsonian Institution; Seattle and London: University of Washington Press, 1988), p. 404. According to the publication, it was an ex-collection of Arthur Sambon. See Ricci, Seymour de, Catalogue dâune Collection de Miniatures Gothiques et Persanes Appartenant Ă LĂ©once Rosenberg (Paris: Montassier et Odendâhal, 1913), p. 42, no. 136.
[2] At the time of the publication of Ricci, Seymour de, Catalogue dâune Collection de Miniatures Gothiques et Persanes Appartenant Ă LĂ©once Rosenberg (Paris: Montassier et Odendâhal, 1913), the manuscript folio was in the collection of LĂ©once Rosenburg.
[3] See Susan Nemazee, "Appendix 7: Chart of Recent Provenance" in An Annotated and Illustrated Checklist of the Vever Collection, Glenn D. Lowry et al. (Washington, DC: Arthur M. Sackler Gallery, Smithsonian Institution; Seattle and London: University of Washington Press, 1988), p. 404.
[4] See auction catalogue from Galerie Georges Petit, Catalogue des tableaux anciens, objets d'art et de haute curiositeÌ europeÌens et orientaux, objets d'extreÌme-Orient, meubles et sieÌges, sculptures et bronzes du XVIIIe sieÌcle, composant la collection de Octave Homberg, no. 102, p. 51.
[5] See the Agreement for the Purchase and Sale of the Henri Vever Collection of January 9, 1986, Collections Management Office.
[6] See note 5.
[7] See note 5.
- Previous Owner(s) and Custodian(s)
-
Octave Homberg
Henri Vever 1854-1942
Arthur Sambon 1867-1947
LĂ©once Rosenberg 1879-1947
Francois Mautin 1907-2003
- Description
-
Detached folio from a dispersed copy of the Shahnama (Book of kings) by Firdawsi, Khusraw Parviz seated on the Takht-i taqdis; one of a group of three folios.
The painting was cut from the text and mounted on a board.
- Inscription(s)
- Published References
-
- Octave Homberg. Publication title unknown. cat. 102, p. 51.
- B. W. Robinson. Fifteenth-Century Persian Painting: Problems and Issues. Hagop Kevorkian Series on Near Eastern Art and Civilization New York. pp. 64-65, fig. 19.
- Glenn D. Lowry, Milo Cleveland Beach, Elisabeth West FitzHugh, Susan Nemanzee, Janet Snyder. An Annotated and Illustrated Checklist of the Vever Collection. Washington and Seattle. cat. 93, pp. 81-82.
- Glenn D. Lowry, Susan Nemanzee. A Jeweler's Eye: Islamic Arts of the Book from the Vever Collection. Washington and Seattle. cat. 16, pp. 94-95.
- Collection Area(s)
- Arts of the Islamic World
- Web Resources
- Google Cultural Institute
- SI Usage Statement
-
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CC0 - Creative Commons (CC0 1.0)
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Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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International Image Interoperability Framework
FS-7371_22