- Provenance
- Provenance research underway.
- Label
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Women of the court, who spent most of their time within the confines of the harem, were not frequent subjects of the Mughal portraits. Although the young woman shown here is not identified and her likeness is rather generic, the portrait of Jahangir in her hands denotes her high social status.
- Published References
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- Milo Cleveland Beach. The Imperial Image: Paintings for the Mughal Court., 2nd ed. Washington and Ahmedabad, India, 2012. cat. 30, p. 157.
- Collection Area(s)
- South Asian and Himalayan Art
- Web Resources
- Whistler's Neighborhood
- Google Cultural Institute
- SI Usage Statement
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Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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CC0 - Creative Commons (CC0 1.0)
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.
Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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International Image Interoperability Framework
FS-5864_12