- Provenance information is currently unavailable
Women of the court, who spent most of their time within the confines of the harem, were not frequent subjects of the Mughal portraits. Although the young woman shown here is not identified and her likeness is rather generic, the portrait of Jahangir in her hands denotes her high social status.
- Published References
- Milo Cleveland Beach. The Imperial Image: Paintings for the Mughal Court., 2nd. Washington and Ahmedabad, India, 2012. cat. 30, p. 157.
- Collection Area(s)
- South Asian and Himalayan Art
- Rights Statement