Yamada Takeji, Kobe, Japan 
Takashi Yanagi, Kyoto, to 1998
Freer Gallery of Art, purchased from Takashi Yanagi in1998
 The object was included in an exhibition of Yamada Takeji's collection, held at the Osaka Municipal Art Museum, the Tokugawa Art Museum, and the Nezu Art Museum in 1967, and in a publication, Shoki Kyoyaki, later translated as Masahiko Sato, Arts of Japan 2, Kyoto Ceramics (N.Y., Tokyo: Weatherhill/Shibundo, 1973). See Curatorial Note 3, Louise Cort, 5 January 1998, in the object record.
- Previous Owner(s)
Nonomura Ninsei can be counted in the handful of Japanese ceramic artists known by name, along with Chojiro and Kenzan, who have exerted the most profound and lasting influence on the development of Japanese ceramics. Ninsei represents the essence of Kyoto ceramics: he absorbed and reinterpreted all the major trends and tastes of his time, and his work had a polish and finesse characteristic of most crafts made in the old imperial capital.
This intellectually complex jar (just the sort that Kyoto tea masters loved) looks back to influential Japanese ceramics of the late sixteenth century.
- Published References
- Thomas Lawton Thomas W. Lentz. Beyond the Legacy: Anniversary Acquisitions for the Freer Gallery of Art and the Arthur M. Sackler Gallery. vol. 1 Washington, 1998. pp. 308-309.
- Mizusashi (Tea-Ceremony Water Jars): Chaseki no Suiki: Heisei 7-nen shuki tokubetsuten. Exh. cat. Kyoto. cat. 62.
- Ninsei no chawan (Ninsei's Teabowls). Kansho Shirizu, no. 7 Tokyo. p. 50.
- Nonomura Ninsei ten (Nonomura Ninsei Exhibition). Exh. cat. Kanazawa City, Japan. cat. 101.
- Sekai toji zenshu (Catalogue of the World's Ceramics). 19 vols., Tokyo, 1976-1982. cat. 133.
- Oka Yoshiko. Kokuho Ninsei no nazo. Tokyo. p. 152, fig. 12.
- Oka Yoshiko. Ninsei to Kenzan—sono katachi to moyo (Ninsei and Kenzan—form and decoration). 29 Kyoto, 2014. p. 86, fig. 7.
- Collection Area(s)
- Japanese Art
- Web Resources
- Google Cultural Institute
- Rights Statement
Copyright with museum