Wang Fangyu (1913-1997) and Sum Wai (1918-1996), to 1997 
Shao F. Wang, New York and Short Hills, NJ, by descent, to 1998 
Freer Gallery of Art, gift of Shao F. Wang in 1998
 According to Curatorial Note 3, Joseph Chang and Stephen D. Allee, May 7, 1998, and Joseph Chang and Stephen D. Allee, August 18, 1998, in the object record.
 See note 1.
- Previous Owner(s)
Shao F. Wang
Wang Fangyu 1913-1997
Sum Wai 1918 - 1996
The text of the Holy Mother Manuscript was composed in 793 by an unknown author to record the renovation of a Daoist temple dedicated to the Holy Mother of Dongling, which was located near the modern city of Yangzhou in Jiangsu Province. Although unsigned, both the text and calligraphy were traditionally attributed to the famous Tang-dynasty calligrapher and Buddhist monk Huaisu (ca. 725-ca. 799), who was renowned for his "wild-cursive" script, as seen in the rubbing. This association with Huaisu led to the preservation of the calligraphy in 1088, when the text was carved onto a slab of stone. The original manuscript of the text was lost, but rubbings of the stone, such as the one seen here, were produced soon after carving and have been made ever since. Judging from the presence of his three seals, the current rubbing evidently belonged to Bada Shanren.
- Published References
- Thomas Lawton Thomas W. Lentz. Beyond the Legacy: Anniversary Acquisitions for the Freer Gallery of Art and the Arthur M. Sackler Gallery. vol. 1 Washington, 1998. pp. 244-251.
- Joseph Chang, Quianshen Bai, Catalogue by Stephen Allee. In Pursuit of Heavenly Harmony: Paintings and Calligraphy by Bada Shanren from the Bequest of Wang Fangyu and Sum Wai. Exh. cat. Washington. cat. 17, pp. 88-93, 154-55, 173-74.
- Collection Area(s)
- Chinese Art
- Web Resources
- Google Cultural Institute
- Rights Statement
Copyright with museum