- Provenance
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To 1998
Robert Hatfield Ellsworth (born 1929), New York City, to 1998From 1998
Freer Gallery of Art, given by Robert Hatfield Ellsworth in 1998 [1]Notes:
[1] All Chinese calligraphy in the gift were published in Mr. Ellsworth's Later Chinese Painting and Calligraphy: 1800-1950, vol. 3 (New York: Random House, 1986) (according to Curatorial Note 4, Joseph Chang, May 19, 1998, in the object record).
- Previous Owner(s) and Custodian(s)
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Robert Hatfield Ellsworth 1929-2014
- Label
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Translated, this scroll reads:
"I am widely read in the ancient canons and odes, and am thoroughly conversant with numerical arts. Also, by nature I am fond of music, and am able to strum the zither and play the flute. Since I began working in the Bureau of Merit, I have had no pressing matters, and have been idling away my time alone in Pingyang Settlement in Mei Prefecture. There was a guest staying in the hostel who played on the flute the songs for instrumental accompaniment “Qi chu” and “Jing lie.” I have been away from the capital for over a year and, upon hearing this music, I suddenly felt both sad and happy over it.”
Translation of "Preface" by David R. Knechtges, from Xiao Tong, comp., Wen xuan, or Selections of Refined Literature, vol. 3 (Princeton, 1996), 259.
- Published References
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- Robert Hatfield Ellsworth. Later Chinese Painting and Calligraphy: 1800-1950., 1st ed. New York. vols. 1, 3: pp. 304, 139.
- Thomas Lawton, Joseph Chang, Stephen Allee. Brushing the Past: Later Chinese Calligraphy from the Gift of Robert Haftield Ellsworth. Exh. cat. Washington. .
- Thomas Lawton, Thomas W. Lentz. Beyond the Legacy: Anniversary Acquisitions for the Freer Gallery of Art and the Arthur M. Sackler Gallery. vol. 1 Washington, 1998. pp. 256-261.
- et al. Chinese Calligraphy. The Culture and Civilization of China New Haven and Beijing. p. 387, pl. 8.4.
- Collection Area(s)
- Chinese Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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CC0 - Creative Commons (CC0 1.0)
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