- Provenance
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Mathias Komor, New York [1]
To 1962
Mr. and Mrs. Myron S. Falk, Jr., New York City, to 1962 [2]From 1962 to 1997
Peggy and Richard M. Danziger, New York, given by Mr. and Mrs. Myron Falk in 1962 [3]From 1997
Freer Gallery of Art, given by Peggy and Richard M. Danziger in 1997Notes:
[1] According to Curatorial Note 2, Joseph Chang, September 30, 1997, in the object record.
[2] See note 1.
[3] See note 1.
- Previous Owner(s) and Custodian(s)
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Peggy and Richard M. Danziger
Myron S. Falk, Jr. 1906-1992
Mathias Komor 1909-1984
- Label
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The orchid's long and gracefully fluttering leaves often overshadow its inconspicuous flowers. The delicate flowers represent the purity of seclusion for scholars. Orchids grow untended-like the scholar who cultivates his own talents but is unrecognized by others. The blossoms exude a subtle fragrance that symbolizes the purity of men. This painting was likely executed by a Chinese Buddhist monk of the Obaku sect of Zen Buddhism. In the 1650s, a large number of monks migrated from China to Japan after the fall of the Ming dynasty and the rise of the foreign Manchurian government.
- Published References
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- Ni Yibin. Symbols, Art, and Language from the Land of the Dragon: The Cultural History of 100 Chinese Characters. London. pp. 14-15.
- Collection Area(s)
- Chinese Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
-
CC0 - Creative Commons (CC0 1.0)
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.
Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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International Image Interoperability Framework
FS-7430_46