Pavilion under bare trees in the style of Ni Zan

citation

Maker(s)
Artist: Luo Ping (1733-1799)
Historical period(s)
Qing dynasty, 1780
Medium
Ink on paper
Dimensions
H x W (image): 22 x 13.5 cm (8 11/16 x 5 5/16 in)
Geography
China
Credit Line
Transfer from the United States Customs Service, Department of the Treasury
Accession Number
F1980.112a
On View Location
Currently not on view
Classification(s)
Album, Painting
Type

Album leaf

Keywords
China, clerical script, landscape, Qing dynasty (1644 - 1911), WWII-era provenance
Provenance

To 1960
Chen Rentao (1906-1968), Hong Kong, and Frank Caro, C. T. Loo & Co., New York, to 1960 [1]

From 1960 to 1979
Department of Treasury, U. S. Customs Service [2]

From 1979
Freer Gallery of Art, from October 23, 1979 [3]

[1] This object is one of a group of 88 objects (F80.104-F80.180, FSC-S-22-25 and FSC-O-11a-h) seized in 1960 by the U.S. Customs Service, Department of the Treasury, from the dealer and collector Chen Rentao, Hong Kong and Frank Caro of C. T. Loo & Co., New York. The objects were deemed to have been introduced into the commerce of the United States in violation of 19 U.S.C. 1592 (Trade with Communist China).

[2] See note 1. The object’s ownership title is based on the settlement agreement, dated November 1971, between the United States, Chen Tung Siang Wen, the executrix for Chen Rentao Estate, and Frank Caro, copy in object file. See U.S. Customs Service Memorandum, April 23, 1979 and a letter from Thadeus Rojek, Chief Counsel, Department of the Treasury, U.S. Custom Service, to Marie C. Malaro, Assistant General Counsel, Smithsonian Institution, dated November 29, 1979, copy in object file. The objects remained in the custody of the U.S. Customs Service office in New York until 1979.

[3] The object was transferred to the Freer Gallery of Art on October 23, 1979.

Previous Owner(s)

U.S. Customs Service, Department of the Treasury
Chen Rentao 1906-1968
Frank Caro 1904-1980

Label

The narcissus, the orchid, the crane, and the pine in these album leaves are among the most common symbols in Chinese art. The narcissus, which represents "water fairy" (shuixian), is a symbol of good fortune for the next year if it blooms exactly on New Year's Day. Orchids, prized for their subtle scent, signify love and beauty. When they appear as one of the "Four Gentlemen" their combined elegance and splendor represent the purity of character in humanity. Presented as a pair, the crane and pine tree are widely known as symbols of longevity and prosperity.

Luo Ping, the artist, executed these paintings using his fingers and fingernails, although the inscriptions were done with a brush. The finger-painting technique-which originated in the latter half of the eighth century-was popular among a few eccentric artists in the eighteenth century.

Published References
  • Freer Gallery of Art. The Freer Gallery of Art. Washington. .
Collection Area(s)
Chinese Art
Web Resources
Google Cultural Institute
Rights Statement

Copyright with museum

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