- Provenance
- Provenance research underway.
- Label
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On paper decorated with detailed paintings of fields of flowers seen through bands of golden mist are selected Japanese poems, many of them originally composed for poetry competitions. The calligraphy of Kojima Shoshin, a disciple of Koetsu, is written in a style that reflects his master's manner of writing Japanese poems in relatively large scale cursive hiragana combined with Chinese characters selected for emphasis. His technique exaggerates the turns of the brush and the transitions between thin and thick strokes. Accents of dark ink appear more regularly than in Koetsu's work, reducing the tonal variety of the writing. Relatively little is known about Soshin's life but, like his teacher, he seems to have had close contacts among the skilled craftsmen of Kyoto.
- Published References
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- Fu Shen, Glenn D. Lowry, Ann Yonemura, Thomas Lawton. From Concept to Context: Approaches to Asian and Islamic Calligraphy. Exh. cat. Washington. cat. 30, pp. 90-91.
- Collection Area(s)
- Japanese Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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Usage Conditions Apply
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CC0 - Creative Commons (CC0 1.0)
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Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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International Image Interoperability Framework
FS-6247_06