Carved lacquer food box with scene of the Moon Palace

Maker(s)
Artist: Wang Ming (late 15th century)
Historical period(s)
Ming dynasty, Hongzhi reign, 1488-1505
Medium
Carved black and red lacquer (tihei) on wood core
Dimensions
H x Diam: 17.3 x 32.2 cm (6 13/16 x 12 11/16 in)
Geography
China
Credit Line
Purchase — Charles Lang Freer Endowment
Collection
Freer Gallery of Art
Accession Number
F1968.76a-b
On View Location
Currently not on view
Classification(s)
Container, Lacquer
Type

Box

Keywords
bell, Chang'e, China, Daoism, festival, flower, food, Hongzhi reign (1488 - 1505), immortality, Ming dynasty (1368 - 1644), pavilion, phoenix, pipa, qin, rabbit, toad
Provenance
Provenance research underway.
Label

The box depicts a scene of the Moon Palace and its denizens gathered together for a festive occasion. Three main characters include the female immortal Chang'e, who stands at the top of the palace stairs with entertainers gathered around her in the courtyard. Nearby are two other well-known inhabitants of the moon: a rabbit, who stands upright on a table mixing the magic elixir of immortality, and on the left edge of the box, a three-legged toad appears at the base of a tree. This box belongs to a small group of lacquer wares that are signed by the artisan, Wang Ming, whose signature is incised on one of the columns of the Moon Palace. Figures and floral bands decorate the sides of the box.

Published References
  • Sir John Figgess. Ming and Pre-Ming Lacquer in the Japanese Tea Ceremony. vol. 37 London, 1967-1969. pl. 54a.
  • Michael Hughes. An Important Collection of Chinese, Korean, and Ryukyuan Lacquer. New York, Spring 2006. .
  • Dr. John Alexander Pope, Thomas Lawton, Harold P. Stern. The Freer Gallery of Art. 2 vols., Washington and Tokyo, 1971-1972. cat. 131, vol. 1: p. 179.
  • The Important Collection of Chinese Ceramics, Lacquer, Cloisonne Enamel., July 2, 1968. cat. 67, p. 33.
  • Harry Mason Garner. Two Chinese Carved Lacquer Boxes of Fifteenth Century in The Freer Gallery of Art. vol. 9 Washington and Ann Arbor. pp. 41-50.
  • Masterpieces of Chinese and Japanese Art: Freer Gallery of Art handbook. Washington, 1976. p. 60.
  • Jean-Pierre Dubosc. A Rare Example of Late Fifteenth-Century Carved Lacquer in an English Private Collection. London, June 1966. pp. 78-81.
  • Derek Clifford. Chinese Carved Lacquer. London. pp. 86-87, pl. 59.
  • Choshitsu: Urushi no rerifu. Nagoya and Tokyo. p. 160.
Collection Area(s)
Chinese Art
Web Resources
Google Cultural Institute
SI Usage Statement

Usage Conditions Apply

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.

The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The Freer Gallery of Art and Arthur M. Sackler Gallery welcome information that would augment or clarify the ownership history of objects in their collections.