- Provenance
- Provenance research underway.
- Label
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This page from the Akbarnama (History of Akbar) written by Akbar's trusted adviser Abul Fazl, illustrates the emperor seated in regal isolation at the center of the painting, listening to a petition being presented to him by a noble. The European depicted near the bottom left demonstrates the cosmopolitan mix of people at court as well as Akbar's interest in the portrayal of different types of people
The artist Manohar was specially interested in depicting the majesty of the imperial Mughal court; in stressing surface designs rather than spatial values, he created brilliantly patterned compositions.
- Published References
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- Amin Jaffer. Beyond Extravegance: A Royal Collection of Gems and Jewels. vols. 1-2, , 2nd ed. New York. pg. 79.
- I.N. Khan Arshi. Black Taj Mahal: The Emperor's Missing Tomb. New Delhi. .
- Milo Cleveland Beach. The Imperial Image: Paintings for the Mughal Court. Exh. cat. Washington, 1981. cat. 12g, pp. 12,23,29,119.
- Milo Cleveland Beach. The Imperial Image: Paintings for the Mughal Court., 2nd ed. Washington and Ahmedabad, India, 2012. cat. 10G, p. 76.
- Milo Cleveland Beach. The Gulshan Album and the Workshops of Prince Salim. vol. 73, no. 2 Zurich. pp. 429-77, fig. 2.
- Collection Area(s)
- South Asian and Himalayan Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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CC0 - Creative Commons (CC0 1.0)
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.
Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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International Image Interoperability Framework
FS-8169_05