- Provenance information is currently unavailable
- Previous Owner(s)
A flower-strewn meadow and delicately swaying shrubs provide the setting for a contemplative youth. In contrast to the painting's lively composition, borders display restrained symmetry.
The image of a young man reading in a highly abstracted and idealized garden setting was popular in seventeenth-century Iran and was adopted by artists working in the Islamic courts of India. The painting's lush vegetation and intense colors are typical of the aesthetic associated with the Deccan court of Bijapur, where the artist Muhammad Ali probably began his career. The inscription, however, reveals that he created this image for the Mughal emperor Jahangir (reigned 1605-27). The superb floral borders indicate that the painting was bound into an album during the reign of Jahangir's son, Shah Jahan (reigned 1628-58).
- Published References
- Milo Cleveland Beach. The Imperial Image: Paintings for the Mughal Court. Exh. cat. Washington, 1981. cat. 28, pp. 93, 200-201.
- Francesco Abbate. Arte dell'Inde e dell'Indonesia. Milan. pl. 66.
- Capolavori nei secoli: Enciclopedia di tutte i popoli in tutti i tempi. 12 vols., Milan, 1961 - 1964. p. 204.
- Richard Ettinghausen. Paintings of the Sultans and Emperors of India in American Collections. Lalit Kala Series of Indian Art New Delhi. pl. 9.
- Milo Cleveland Beach. The Imperial Image: Paintings for the Mughal Court., 2nd. Washington and Ahmedabad, India, 2012. cat. 23, p. 141.
- Masters of Indian Painting. Exh. cat. Zurich. pp. 279-290, fig. 3.
- Keelan Overton. The Visual World of Muslim India: The Art, Culture and Society of the Deccan in the Early Modern Era. Library of South Asian history and culture 2, London. p. 249, fig. 10.6.
- Collection Area(s)
- South Asian and Himalayan Art
- Web Resources
- Google Cultural Institute
- Rights Statement
Copyright with museum