- Provenance information is currently unavailable
- Previous Owner(s)
Edward T. Chow 1910 - 1980
Mathias Komor 1909 - 1984
To some connoisseurs, the Chenghua reign (1465-87) marks the ultimate stage in the development of Chinese blue-and-white, in which technical perfection is matched by great refinement in taste. The best Chenghua examples are remarkable for their delicacy, luminosity, and sensitive drawing. A six-character mark confirms the Chenghua date on this dish.
The interior is painted with a motif known as the "three friends of winter" (pine, plum, and bamboo) and also a garden rock and fungus of immortality appear. The design is both a wish for longevity and also carries poetic and scholarly connotations. The exterior is decorated with women in a garden setting with two constellations pictured overhead. These are the Herdboy (Aquila) and Weaving Maiden (Vega) stars that cross the Milky Way and meet on the seventh day of the seventh lunar month, the Double Seventh Festival in China. In antiquity, this was a major celebration for lovers. Women made special displays of brocade, prepared vegetarian feasts, and burned incense while they prayed for divine instructions, especially for improvement of needlework.
This dish can be compared to another in the collection, F1951.11.
- Published References
- Ming Porcelains in the Freer Gallery of Art. Washington, 1953. p. 23, fig. 17.
- Maggie Bickford. Bones of Jade, Soul of Ice: The Flowering Plum in Chinese Art. Exh. cat. New Yaven, CT. p. 212.
- Ann Frank. Chinese Blue and White. New York. p. 33.
- Hai wai i chen (Chinese Art in Overseas Collections). Taipei, 1985. vol. 3, p. 25.
- Collection Area(s)
- Chinese Art
- Web Resources
- Google Cultural Institute
- Rights Statement
Copyright with museum