Portrait of the poetess, Saigu no Nyogo Yoshiko

Maker(s)
Artist: Attributed to Fujiwara no Nobuzane (1176?-1265?)
Calligrapher: Attributed to Fujiwara no Tameie 藤原為家 (1198-1275)
Historical period(s)
Kamakura period, 13th century
Medium
Ink and color on paper
Dimensions
H x W (image): 30.2 x 50.6 cm (11 7/8 x 19 15/16 in)
Geography
Japan
Credit Line
Purchase — Charles Lang Freer Endowment
Collection
Freer Gallery of Art
Accession Number
F1950.24
On View Location
Currently not on view
Classification(s)
Painting
Type

Hanging scroll

Keywords
Japan, kakemono, Kamakura period (1185 - 1333), poet, portrait, prince, princess
Provenance
Provenance research underway.
Label

Imperial princess Saigu no Nyogo (929-985), one of the few women among the Thirty-six Immortal Poets, is shown in this imaginary portrait reclining behind a curtain. Her face is barely visible among multilayered garments and her long, flowing hair. A lacquer box for writing equipment, decorated in gold, lies open on the ledge of the platform beneath her tatami.

A biography of the princess written in Chinese characters is followed by one of her poems in two lines of cursive hiragana:

With the sound of the koto
The wind in the pines of the mountain peak
Seems to communicate
With which note shall I begin?

Published References
  • Zaigai Nihon no Shiho [Japanese Art: Selections from Western Collections]. 10 vols., Tokyo, 1979 - 1980. vol. 2.
  • Zaigai hiho [(Japanese Paintings in Western Collections]. 3 vols., Tokyo. vol. 2., pt. 1, pl. 46.
  • Mori Toru. Kasen (Great Poets): Sanjuroku kasen-e [The Illustrated Paintings of Thirty-Six Poets]. Tokyo. pl. 9.
  • Mayuyama Junkichi. Japanese Art in the West. Tokyo. pl. 122.
  • Kanai Shuin. Toyo Gadai Soran [Dictionary of Subjects Used in Japanese Paintings]. 11 vols., Kyoto and Tokyo, 1941-1943. vol. 4: pl. 23.
  • Hirate Ku. Tai Shi kai zuroku [Record of Great Master Paintings in Various Collections]. Tokyo. pl. 28.
  • Rose Hempel. The Golden Age of Japan, 794-1192. New York. fig. 203.
  • Fujiwara no Nobuzane. Celebrated Poets of Ancient Times, By Nobuzane Fujiwara: (The Collection of Viscount Naonari Matsudaira). no. 137 Tokyo, February 1902. pl. 1.
  • Dr. John Alexander Pope, Thomas Lawton, Harold P. Stern. The Freer Gallery of Art. 2 vols., Washington and Tokyo, 1971-1972. cat. 10, vol. 2: p. 154.
  • Minamoto Toyumune. Genji monogatari emaki ni tsuite [Concerning Geji Album]. no. 24. pp. 1-12.
  • Shirahata Yoshi. On Portrait Paintings of the Kamakura Period. no. 28 Tokyo, July 1953. p. 10.
  • Richard Storry. The Way of the Samurai. New York and London. p. 12.
  • Freer Gallery of Art. The Freer Gallery of Art of the Smithsonian Institution., 10th Printing. Washington. p. 16.
  • Fu Shen, Glenn D. Lowry, Ann Yonemura, Thomas Lawton. From Concept to Context: Approaches to Asian and Islamic Calligraphy. Exh. cat. Washington. cat. 23, pp. 74-75.
  • Tomoko Sakomura. Poetry as Image: The Visual Culture of Waka in Sixteenth-Century Japan. Japanese Visual Culture, vol. 16 Leiden, Netherlands. p. 83, fig. 40.
  • Masterpieces of Chinese and Japanese Art: Freer Gallery of Art handbook. Washington, 1976. p. 98.
  • Penelope Mason, (Revised by) Donald Dinwiddie. History of Japanese Art., 2nd ed. Upper Saddle River, New Jersey. p. 111, fig. 137.
  • Helen Honcoopová, Joshua Mostow, Makoto Yasuhara. A Book of Fans. Prague, Czech Republic, November 15, 2016. p. 144, fig. 31.
  • Sherman Lee. A History of Far Eastern Art. Englewood Cliffs, New Jersey, 1964. p. 333, fig. 437.
Collection Area(s)
Japanese Art
Web Resources
Google Cultural Institute
SI Usage Statement

Usage Conditions Apply

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.

The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The Freer Gallery of Art and Arthur M. Sackler Gallery welcome information that would augment or clarify the ownership history of objects in their collections.

Related Objects