Bowman, musician and dervish from the Kevorkian album

citation

Historical period(s)
Mughal dynasty, Reign of Jahangir, 19th century
Movement
Mughal Court
School
Mughal School
Medium
Opaque watercolor and gold on paper
Dimensions
H x W: 38.4 x 26.4 cm (15 1/8 x 10 3/8 in)
Geography
India
Credit Line
Purchase — Charles Lang Freer Endowment
Accession Number
F1948.21b
On View Location
Currently not on view
Classification(s)
Album, Painting
Type

Album folio with painting

Keywords
bow, dervish, flower, India, lute, Mughal dynasty (1526 - 1858), musician, nasta'liq script, Reign of Jahangir (1605 - 1627), WWII-era provenance
Provenance
Provenance information is currently unavailable
Previous Owner(s)

Hagop Kevorkian 1872 - 1962

Label

This painting, produced in the early nineteenth century at the very end of the Mughal period, reveal the manner in which artists clung tenaciously to tradition.

The floral borders added to the painting, though highly abstracted when compared with earlier workmanship, reproduce the taste of older Mughal work, and speak in general of a nostalgia for the past. When viewing such a painting, one must remember that copying in the Persian and Mughal context was considered a tribute to as master, and "signing" a master's name to a newly created work was a token of deep respect.

Published References
  • Milo Cleveland Beach. The Imperial Image: Paintings for the Mughal Court. Exh. cat. Washington, 1981. p. 191, fig. 38.
  • Sotheby's (London). Catalogues of Valuable Oriental Manuscripts and Miniatures, Comprising a series of very important Indian drawings by the court painters of the great Moghul emperors, Shah Jahan and Aurangzib, the property of a gentleman. London, December 12-13, 1929. cat. 118.
Collection Area(s)
South Asian and Himalayan Art
Web Resources
Google Cultural Institute
Rights Statement

Copyright with museum

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