- Provenance information is currently unavailable
- Previous Owner(s)
Mathias Komor 1909 - 1984
Made in China, the style of this bodhisattva (enlightened being) is Nepalese, while the lacquer technique is Chinese. In the thirteenth century, the Mongol ruler Khubilai Khan (1215-1294) invited eighty Nepalese artist-monks to China to construct and adorn a monastery. One of the artists, the renowned Aniko, remained in China and founded the workshop in which this bodhisattva was undoubtedly made. The lacquer technique used is the "dry lacquer" technique, in which several layers of lacquer-impregnated cloth are arranged over a rough clay core and the finishing details are modeled in a paste-like lacquer mixture. Thin iron rods help support fragile parts. When the lacquer dries, the clay core is removed, leaving an exceptionally light sculpture for its size. This image was once painted and gilded, but only traces remain.
- Published References
- Dr. Sherman Lee. A History of Far Eastern Art. Englewood Cliffs, New Jersey, 1964. p. 400, fig. 528.
- Denise Patry Leidy. The Art of Buddhism: An Introduction to its History & Meaning., First edition. Boston. p. 238.
- Dr. John Alexander Pope, Thomas Lawton, Harold P. Stern. The Freer Gallery of Art. 2 vols., Washington and Tokyo, 1971-1972. cat. 84, vol. 1, p. 173.
- Masterpieces of Chinese and Japanese Art: Freer Gallery of Art handbook. Washington, 1976. p. 43.
- Heather Stoddard. Early Sino-Tibetan Art., 2nd edition, revised. Bangkok. p. 20, pl. 11.
- The World of Khubilai Khan: Chinese Art in the Yuan Dynasty. Exh. cat. London and New Haven, September 28 - January 2, 2010. pp. 103, 106, fig. 137.
- Chugoku bijutsu (Chinese Art in Western Collections). 5 vols., Tokyo, 1972-1973. vol. 3, pl. 86.
- Celia Heil. Lacquer Across the Oceans: Independent Invention or Diffusion?. .
- pp. 100-101.
- Collection Area(s)
- Chinese Art
- Web Resources
- Google Cultural Institute
- Rights Statement
Copyright with museum