- Provenance information is currently unavailable
- Previous Owner(s)
Alexander G. Mosle
The design of flowering autumn grasses is featured on the surfaces of this box. On the lid under a crescent moon, are hagi (bush clover), susuki (pampas grass), fujibakama (ague weed), ominaeshi (valerian), and yomena (aster). The underside of the lid and the interior tray are both decorated with nadeshiko (pinks).
On the rock surfaces depicted on the cover, three silver hiragana symbols (cursive phonetic script) can be detected and combined to make the word nezame (awakening from sleep). The script, cleverly embedded into the linearity of the picture, is the central feature of the uta-e (poem-picture).
The anonymous poem alluded to by the three-syllable clue nezame is included in the early tenth-century anthology, Kokinshu (collection of poems ancient and modern).
It is not the autumn dew
That has dropped on my pillowing sleeve
As I awaken.
The box contains an inkstone for grinding solid ink and a water dropper, and would have contained writing brushes.
- Published References
- Fu Shen, Glenn D. Lowry, Ann Yonemura, Thomas Lawton. From Concept to Context: Approaches to Asian and Islamic Calligraphy. Exh. cat. Washington. cat. 31, p. 92-93.
- Ann Yonemura. Japanese Lacquer. Washington, 1979. cat. 18, p. 38.
- Calendar of Exhibitions. vol. 17, no. 11 Hong Kong, November 1986. p. 65.
- Freer Gallery of Art. The Freer Gallery of Art. Washington. p. 16.
- Alexander G. Mosle. The Mosle Collection: Descriptive Catalogue... Leipzig. cat. 1683, p. 34.
- Encyclopedia Japonica. multi-volumed, Tokyo. p. 193.
- Toda Kenji. Japanese Scroll Painting. Chicago. p. 45.
- Collection Area(s)
- Japanese Art
- Web Resources
- Google Cultural Institute
- Rights Statement
Copyright with museum