Historical period(s)
Buyid period, 966-977
Medium
Gold
Dimensions
H x Diam: 16 x 9.4 cm (6 5/16 x 3 11/16 in)
Geography
Iran
Credit Line
Purchase — Charles Lang Freer Endowment
Accession Number
F1943.1
On View Location
Freer Gallery 21a: Feast Your Eyes: A Taste for Luxury in Ancient Iran
Classification(s)
Metalwork, Vessel
Type

Ewer

Keywords
Buyid period (932 - 1062), chasing, engraving, Iran, kufic script, punching, repousse, WWII-era provenance
Provenance
Provenance information is currently unavailable
Previous Owner(s)

Hagop Kevorkian 1872 - 1962

Label

Gold and silver objects from the medieval Islamic world are extremely rare. Like many religions, Islam disapproved of trappings of wealth, even if members of the elite largely ignored this religious objection. During times of hardship, moreover, objects made from precious materials were often melted down. On the basis of its rarity and remarkable condition some scholars have questioned the authenticity of this gold jug. While the jug's handle seems to be a later addition, its shape and decorative motifs relate to other tenth-century objects found in excavations. Its inscription, too, appears to be genuine and refers to the Buyid dynasty ruler Izz al-Dawla Bakhtiyar ibn Mu'izz al-Dawla (reigned 967-78).

Published References
  • Dr. Esin Atil, W. Thomas Chase, Paul Jett. Islamic Metalwork in the Freer Gallery of Art. Washington, 1985. p. 266.
  • Dr. Esin Atil. Exhibition of 2500 Years of Persian Art. Exh. cat. Washington, 1971. cat. 52, pp. 13-14, 16.
  • Larry Ball. 30,000 Years of Art: The Story of Human Creativity Across Time and Space. London and New York, 2007. p. 492.
  • The Arts of Persia. New Haven and London. pp. 185-186, fig. 30.
  • Eva Baer. Metalwork in Medieval Islamic Art. Albany. pp. 211, 286, fig. 229.
  • Eva Baer. Sphinxes and Harpies in Medieval Islamic Art: An Iconographical Study. Oriental Notes and Studies, no. 9 Jerusalem. p. 13.
  • Sheila Blair, Jonathan M. Bloom, Anne E. Wardwell. Re-evaluating the Date of the "Buyid Silks" by Epigraphic and Radiocarbon Analysis. vol. 22 Washington and Ann Arbor. p. 5.
  • Ernst Diez. Iranische Kunst. Wien. p. 225.
  • The Encyclopedia of World Art. 17 vols., New York, 1959-1968. pl. 280.
  • Volkmar Enderlein. Islamische Kunst. Dresden. p. 74.
  • Richard Ettinghausen. Islamic Art and Archaeology: Collected Papers. Berlin. pp. 892-913.
  • Richard Ettinghausen. The Arts of Iran at the Time of Avicenna: Société iranienne pour la conservation des monuments nationaux. vol. 4, Tehran. pp. 132-138, fig. 6.
  • O. Graber. The Formation of Islamic Art. New Haven. pl. 116.
  • Ernst Grube. The World of Islam. Landmarks of the World's Art London. p. 20, pl. 5.
  • Glenn D. Lowry. On the Gold Jug Inscribed to Abu Mansur al-Amir Bakhtiyar Ibu Mu'izz al'Dawla in the Freer Gallery of Art. no. 19 Washington and Ann Arbor. pp. 103-112.
  • Gaston Migeon. Les Arts Plastiques et Industriels. Manuel d'Art Musulman, pt. 2 Paris. pp. 12-14, fig. 216.
  • Richard Ettinghausen Ernst Kuhnel. A Survey of Persian Art from Prehistoric Times to the Present. 6 vols., London and New York, 1938 - 1939. p. 2504, fig.830, pl.1343.
  • Saad al-Jadir. Arab and Islamic Silver. London. p. 14.
  • Umberto Scerrato. Metalli Islamici. Elite: le arti e gli stili in ogni tempo e paese Milano. p. 19.
  • Marianna Shreve Simpson. L'Art Islamique: Asiae, Iran, Afgahanistan, Asia Centrale et Inde. La Grammaire des Styles Paris, 1956-1958. pp. 32-33.
  • Smithsonian Institution. Annual Report of the Board of Regents of the Smithsonian Institution, 1942-1943. Washington. pl. 1.
  • Rachel Ward. Islamic Metalwork. Eastern Art Series London. pp. 52-53, fig. 35.
  • Gaston Wiet. L'Exposition Persane de 1931. Exh. cat. Cairo, 1932-1933. pp. 137-138.
  • Luke Treadwell. Craftsmen and Coins: signed dies in the Iranian world. 423, Vienna. p. 82, fig. 58b.
Collection Area(s)
Arts of the Islamic World
Web Resources
Google Cultural Institute
Rights Statement

Copyright with museum