- Provenance
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1938
Excavated in Huixian, Henan province, China in 1938 [1]From 1938 to 1939
C. T. Loo & Company, New York from at least December 30, 1938 [2]From 1939
Freer Gallery of Art, purchased from C. T. Loo & Company on February 3, 1939 [3]Notes:
[1] According to Rong Geng, Shang Zhou yiqi tongkao (Beijing: Harvard-Yenching Institute, 1941), vol. 1, p. 470 and vol. 2, pl. 874.
[2] See "List of the objects owned by C. T. Loo, New York [and left by him] at the Gallery for examination on December 30, 1938," copy in object file.
[3] See C. T. Loo's invoice, dated February 3, 1939, copy in object file. The object is dated in the invoice to late Chou dynasty, 5th century B.C.
- Previous Owner(s) and Custodian(s)
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C.T. Loo & Company 1914-1948
- Description
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Li-yu type.
- Published References
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- Zusetsu sekai bunkashi taikei [Cultural History of the World]. 27 vols., Tokyo, 1958-1961. Vol. 15: p. 28, fig. 23.
- George W. Weber Jr. The Ornament of Late Chou Bronzes: A Method of Analysis. New Brunswick. pl. 8, cover.
- William Watson. The Art of Dynastic China. New York, 1981. ill. 261.
- William Watson. Ancient Chinese Bronzes. The Arts of the East London. pl. 60a.
- Jenny F. So. Bronze Styles of the Eastern Zhou Period. Ann Arbor. pl. 33.
- Smithsonian Institution. Report of the Secretary, 1939. Washington. pl. 1.
- Osvald Siren. Kinas Konst Under Tre Artusenden. 2 vols., Stockholm, 1942-1943. vol. 1: pl. 42 b.
- Regina L. Shoolman, Charles E. Slatkin. The Enjoyment of Art in America: A Survey of the Permanent Collections of Painting, Sculpture, Ceramics & Decorative Arts in American and Canadian Museums: Being an Introduction to the Masterpieces of Art from Prehistoric to Modern Times. Philadelphia and New York. pl. 138.
- Shang Chou chin wen shi ch'eng. Multi-volume, Taipei. cat. 7657.
- Sekai bijutsu zenshu [A Complete Collection of World Art]. 40 vols., Tokyo, F1951-1953. cat. 80, vol. 2.
- Mizuno Seiichi. In Shu seidoki to tama [Bronzes and Jades of Ancient China]. Tokyo. pl. 129.
- Keng Jung. Shang Chou i chi'i t'ung k'ao [The Bronzes of Shang and Chou]. Yenching Journal of Chinese Studies, no. 17 Beijing. vol. 2, p. 460, vol. 1,p. 470, fig. 874.
- Keng Jung, Chang Wei. Yin Chou ch'ing t'ung ch'i t'ung lun [A Survey of Shang-Chou Bronzes]. Peking. cat. 272.
- Chugoku bijutsu [Chinese Art in Western Collections]. 5 vols., Tokyo, 1972-1973. vol. 4: fig. 70.
- Chin wen tsung chi. Taipei. vol. 9: p. 3770.
- Ludwig Bachhofer. A Short History of Chinese Art. New York. pl. 30.
- Chen Mengjia. Yin Zhou qing tong qi fen lei tu lu [Yin-Chou ch'ing t'ung ch'i fen lei t'u lu]. 2 vols., Dongjing. vol. 2: A 840.
- Dr. John Alexander Pope, Thomas Lawton, Harold P. Stern. The Freer Gallery of Art. 2 vols., Washington and Tokyo, 1971-1972. cat. 29, vol. 1: p. 156.
- Grace Dunham Guest, Archibald Gibson Wenley. Annotated Outlines of the History of Chinese Arts. Washington, 1949. p. 4.
- Compiled by the staff of the Freer Gallery of Art. A Descriptive and Illustrative Catalogue of Chinese Bronzes: Acquired During the Administration of John Ellerton Lodge. Oriental Studies Series, no. 3 Washington, 1946. pp. 4, 56, pl. 30.
- Masterpieces of Chinese and Japanese Art: Freer Gallery of Art handbook. Washington, 1976. p. 17.
- Thomas Lawton. Chinese Art of the Warring States Period: Change and Continuity, 480-222 B.C. Washington, 1982-1983. cat. 2, p. 28.
- Nicole de Bisscop, W.G. de Kesel. Chinees Lakwerk. Zutphen. p. 40.
- Caroline Blunden, Mark Elvin. Cultural Atlas of China. New York. p. 78.
- William Willetts. Foundations of Chinese Art from Neolithic Pottery to Modern Architecture. New York, 1965. p. 117, fig. 87.
- Barbara W. Keyser. Decor Replication in Two Late Chou Bronze "Chien". vol. 11 Washington and Ann Arbor. pp. 127-162, see remarks.
- The Legacy of China. Oxford. p. 215, fig. 8.
- Dr. John Alexander Pope, Rutherford John Gettens, James Cahill, Noel Barnard. The Freer Chinese Bronzes. Oriental Studies Series, vol. 1, no. 7 Washington. cat. 94, p. 479.
- Collection Area(s)
- Chinese Art
- Web Resources
- Google Cultural Institute
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