Autumn Colors at Xunyang

View right to left

Maker(s)
Artist: Lu Zhi 陸治 (1495-1576)
Calligrapher: Colophon by Wen Peng (1498-1573)
Historical period(s)
Ming dynasty, 1554
Medium
Ink and color on paper
Dimensions
H x W (image): 22.3 x 100.1 cm (8 3/4 x 39 7/16 in)
Geography
China
Credit Line
Purchase — Charles Lang Freer Endowment
Accession Number
F1939.3
On View Location
Currently not on view
Classification(s)
Painting
Type

Handscroll

Keywords
autumn, boat, China, lute, Ming dynasty (1368 - 1644), music, river, shore, tree, WWII-era provenance
Provenance
Provenance information is currently unavailable
Previous Owner(s)

Tonying and Company

Label

Lu Zhi was a pupil of Wen Zhengming (1470-1559), one of the Four Masters of Ming-the dynasty's premier landscape artists. The autumn colors in the left half of the painting echo the melancholy mood of the well-known poem this painting depicts. The Lute Song, written in 816 by the Tang poet Bai Juyi (772-846), describes the virtuoso lute performance of a former courtesan whom Bai chanced to meet in a boat ride on the Xunyang River. The poignant story of the courtesan's life touched Bai deeply, reminding him of his own plight as an exile, banished from the capital for his criticisms of government policies.

Published References
  • S. Wilkinson. Lu Chih's Views on Landscape. vol. 15, no. 1 London, Spring 1969. fig. 10.
  • Suzuki Kei. On Two Landscape Picture-Scrolls by Lu Chih. no. 575 Tokyo. .
  • Osvald Siren. Chinese Painting: Leading Masters and Principles. 7 vols., New York and London, 1956-1958. pl. 250.
  • James Cahill. Parting at the Shore: Chinese Paintings of the Early and Middle Ming Dynasty, 1368-1580., 1st ed. New York. pl. 121.
  • Pang Yuanji. Hsu chai ming hua lu: Catalogue of Chinese Paintings in the Collection of the Author. Shanghai. p. 3.
  • Suzuki Kei. Sansuiga : Chugoku (Landscape Painting: China). Tokyo. p. 36, fig. 68a.
  • Paul Allan Berry. Tanomura Chikuden 1777-1835: Man Amidst the Mountains. 4 vols. Ann Arbor. p. 84.
  • James Cahill. Chinese Painting. Treasures of Asia Geneva and Cleveland. p. 133.
  • Dr. John Alexander Pope, Thomas Lawton, Harold P. Stern. The Freer Gallery of Art. 2 vols., Washington and Tokyo, 1971-1972. cat. 68, p. 168.
  • Olympiada Galerkina. Originalite et emprunts traditionnels dans la miniature de Maverannachre. vol. 32 Paris. pp. 189-194, pl. 1a.
  • Suzuki Kei. Chugoku kaiga sogo zuroku (Comprehensive Illustrated Catalog of Chinese Painting). 5 vols., Tokyo, 1982-1983. pp. 234-235.
  • Sherman Lee. Some Problems in Ming and Ch'ing Landscape Painting. vol. 2 Washington and Ann Arbor. pp. 471-485, pls. 10, 11.
Collection Area(s)
Chinese Art
Web Resources
Google Cultural Institute
Rights Statement

Copyright with museum