To at least 1931
Sakisian Collection. 
Hagop Kevorkian (1872-1962), New York. 
Freer Gallery of Art, purchased from Hagop Kevorkian, New York. 
 Curatorial Remark 3 in the object record.
 Curatorial Remark 1 in the object record.
 See note 2.
- Previous Owner(s)
Hagop Kevorkian 1872 - 1962
Timurid princes were passionate collectors of Chinese luxury goods, a practice that inspired local artists to experiment with the new styles and motifs found on such imports and to integrate them into their own work.
One intriguing and enigmatic series of drawings and paintings that incorporates Chinese pictorial conventions shows monsters and demons (div) in various activities and poses. These wild, highly expressive creatures contrast sharply with the elegant and emotionally reserved men and women typically seen in Timurid paintings and recall Central Asian and Chinese models and techniques. Frequently, the demons appear with familiar objects, as seen in this remarkable tinted drawing. The one on the right, for instance, plays a spiked fiddle (kamancha), a musical instrument that was popular in Iran and Central Asia. His companion holds a gold cup and a Chinese blue-and-white bottle decorated with a writhing dragon. The style and technique of drawing also owes more to Chinese than Persian pictorial conventions. Both ferocious and comical, these fantastic figures are among the most distinct and powerful images created during the fifteenth century.
- Collection Area(s)
- Arts of the Islamic World
- Web Resources
- Google Cultural Institute
- Rights Statement
Copyright with museum