Hagop Kevorkian (1872-1962), New York. 
Freer Gallery of Art, purchased from Hagop Kevorkian, New York. 
 Curatorial Remark 1 in the object record.
 See note 1.
- Previous Owner(s)
Hagop Kevorkian 1872 - 1962
Brass pen box with surface dark gray patina. Decoration inlaid silver, includes inscriptions in ornamented naskh script, and signature and date in kufic script.
'amal Shadhi al-naqqash fi shuhur sanat sab' wa-sittmi 'a
"Made by Shadhi al-Naqqash in the year 607 [A.D. 1210]
Top (ornamented naskh):
al-sadr al-ajall al-kabir al -'alim al -'adil al-mu'ayyad al-muzaffar al-mansur Majd al-mulk Sharaf al-dawla wa' l-din Shihab al-Islam wa'l-Muslimin Ikhtiyar al-muluk wa'l-salatin Diya' al-milla Baha' al-umma Qudwat al-akabir wa'l-amathil 'Umdat al-ma'ali Sayyid al-wuzara' Malik al-nuwwab Dhu'l-sa'adat Dastur Iran Sadr wa-Nizam Khurasan al-Muzaffar ibn al-sadr al-shahid Majd al-mulk da'afa 'llahu qadrah
"Most magnificent and mighty grand vizier, the learned, the just, supported [by heaven], the victorious, the triumphant, Majdul-Mulk, Honor of the State and Religion, Comet of Islam and Muslims, Elect of Kings and Sultans, Light of the Nation, Splendor of the Community, Leader of the Great, Pillar of Dignity, Lord of Viziers, King of Viceroys, the felicitous, dastur (governor) of Iran, sadr (grand vizier) and nizam (ruler) of Khurasan, al-Muzaffar son of the martyred (late) sadr Majdul-Mulk- may God increase his might manifold."
al-'izz wa 'l-iqbal wa' l-dawla wa' l-salama wa' l-afiya wa' l-inaya wa' l-qana 'a wa' l-shifa 'a wa' l-nasr wa' l-nasira wa' l-ziyada wa' l-shakira wa' l-shukr wa' l-ni 'ma wa' l-riyada wa' l-raha wa' l-rahma wa'l-riyada wa'l- tamma wa' l-ta 'yid wa' l-diyana wa' l-dawam wa' l-kifaya wa' l-baqa da'im li-sahibih
"Glory, good fortune, power, good health, well-being, [divine] favor, contentment, intercession, victory, victoriousness, increase, thanks, gratitude, good things, leadership, comfort, mercy, asceticism, completeness, assistance [from heaven], religiosity, permanence, sufficiency, long life ever to the owner."
Here, and elsewhere in this inscription, the "extra' h is taken to be ornamental and not an integral part of the word.
The tendency to embellish works of art with inscriptions intensified after the twelfth century. On this finely inlaid penbox, the artist has provided the name and titles of the patron (Majd al-Mulk al-Muzaffar, died 1221), the date of the object, as well as his own appellation. In addition, he has presented the information in a variety of calligraphic styles, including a band around the base that terminates in playful human and animal heads.
- Collection Area(s)
- Arts of the Islamic World
- Web Resources
- Google Cultural Institute
- Rights Statement
Copyright with museum