Claude Anet (1868-1931), Paris to 1931 
Hagop Kevorkian (1872-1962), acquired in Paris, March 21, 1932 
Freer Gallery of Art, puchased from Hagop Kevorkian in 1932 
 Object file, folder sheet note.
 See Hagop Kevorkian's letter to Mr. Lodge, dated March 25, 1932 Paris, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
 Object file, undated folder sheet note. See also Freer Gallery of Art Purchase List file, Collections Management Office.
- Previous Owner(s)
Hagop Kevorkian 1872 - 1962
Claude Anet 1868 - 1931
Detached folio from a copy of the Divan (collected poems) by Hafiz (F1932.45) with selections from the work of Ibn Yamin, Omar Khayyam, and Nizami in the margins; text: Persian in black nasta'liq script; recto: illustration and text: Dancing dervishes; verso: text: two columns, 12 lines with marginal verses; one of a group of 9 detached folios (F 1932.46-54) from the bound manuscript (F1932.45); accessioned separately.
Border: The text and the painting are set in gold and blue rulings on cream-colored paper.
This illustration belongs to an early-sixteenth- century copy of the Divan of the great Persian poet Hafiz. Known for his ghazals (lyrical odes), Hafiz's verses elaborate on abstract themes, such as beauty and love, and are infused with a distinct mystical content.
The painting illustrates a group of Sufis or Islamic mystics in an ecstatic dance. According to Sufism, dancing, especially in a circle, is considered one of the means of achieving spiritual fulfillment and is still practiced by the whirling dervishes of Turkey and other mystical sects. In this animated composition, the men are portrayed in varying stages of spiritual abandon. Even the swaying branches of the trees in the background echoes their mood.
- Collection Area(s)
- Arts of the Islamic World
- Web Resources
- Google Cultural Institute
- Rights Statement
Copyright with museum