Folio from a Divan (collected poems) by Hafiz (d. 1390); recto: left-hand half of a double-page frontispiece; verso: text, poem of spiritual love and moral rectitude

Detached folio from a bound copy of Divan (collected poems) by Hafiz (F1932.45) with selections from the work of Ibn Yamin, Omar Khayyam, and Nizami in the margins; text: Persian in black nasta’liq script; headings in white; recto: left-hand half of a double-page frontispiece with facing folio (F 1932.46), 6 lines of text; verso: two columns, 9 lines and marginal verses; one of a group of 9 detached folios (F 1932.46-54) from the bound manuscript (F 1932.45); accessioned separately.
Border: The illuminated frontispiece is set in cream-colored paper.

Maker(s)
Artist: Shaykhzade
Calligrapher: Sultan Muhammad Nur (fl. as early as 1494)
Historical period(s)
Safavid period, 1523-24 (930 A.H.)
Medium
Opaque watercolor, ink and gold on paper
Dimensions
H x W: 29.9 x 18.8 cm (11 3/4 x 7 3/8 in)
Geography
Afghanistan, Herat
Credit Line
Purchase — Charles Lang Freer Endowment
Collection
Freer Gallery of Art Collection
Accession Number
F1932.47
On View Location
Currently not on view
Classification(s)
Manuscript
Type

Manuscript folio

Keywords
Afghanistan, illumination, nasta'liq script, Safavid period (1501 - 1722)
Provenance

To 1931
Claude Anet (1868-1931), Paris to 1931 [1]

1932
Hagop Kevorkian (1872-1962), acquired in Paris, March 21, 1932 [2]

From 1932
Freer Gallery of Art, puchased from Hagop Kevorkian in 1932 [3]

Notes:

[1] Object file, folder sheet note.

[2] See Hagop Kevorkian's letter to Mr. Lodge, dated March 25, 1932 Paris, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

[3] Object file, undated folder sheet note. See also Freer Gallery of Art Purchase List file, Collections Management Office.

Previous Owner(s) and Custodian(s)

Claude Anet 1868-1931
Hagop Kevorkian 1872-1962

Description

Detached folio from a bound copy of Divan (collected poems) by Hafiz (F1932.45) with selections from the work of Ibn Yamin, Omar Khayyam, and Nizami in the margins; text: Persian in black nasta'liq script; headings in white; recto: left-hand half of a double-page frontispiece with facing folio (F 1932.46), 6 lines of text; verso: two columns, 9 lines and marginal verses; one of a group of 9 detached folios (F 1932.46-54) from the bound manuscript (F 1932.45); accessioned separately.
Border: The illuminated frontispiece is set in cream-colored paper.

Published References
  • Zaky Mohammed Hasan. Al-Funun al Iraniya fil-Asr al-Islami: Persian Art in the Moslem Period., 2nd ed. Cairo. .
  • Richard Ettinghausen, Ernst Kuhnel. A Survey of Persian Art from Prehistoric Times to the Present. 6 vols., London and New York, 1938 - 1939. vol. 3: p. 1970, vol. 5, pl. 948.
  • Massumeh Farhad, Serpil Bagci. Falnama: The Book of Omens. Exh. cat. Washington. .
  • Mohammad Abd al Aziz Marzuq. Islam and Fine Arts [al-Islam wa-al-Funun al-jamilah]. Cairo. p. 3, pl. 3.
Collection Area(s)
Arts of the Islamic World
Web Resources
Google Cultural Institute
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