Probably excavated at Li-yu in northern Shanxi, China in March 1923 
From 1923 to 1932
Madame L. Wannieck 
Freer Gallery of Art, purchased from Madame L. Wannieck, of Paris in 1932 
 Thomas Lawton, Chinese Art of the Warring States Period: Change and Continuity, 480-222 B.C., exhibition cat. (Washington D.C.: Smithsonian Institution, 1982), pg. 32, cat. no. 4. Also see object file, undated folder sheet note 3, notes from L. Wannieck, as well as, object file, undated folder sheet note 5, Carl Bishop.
 See note 1. Also see object file, undated folder sheet note 1.
 See note 2. Also see Freer Gallery of Art Purchase List file, Collections Management Office.
- Previous Owner(s)
Madame L. Wannieck
The ellipsoidal food vessel stands on a small undecorated flaring foot. Only a narrow horizontal concave register at the upper edge of the rim of the bowl interrupts the full swelling contours. Two circular handles appear on opposite sides of the bowl. The low rounded lid is unadorned except for three small ducks that serve as legs when the cover is inverted and four miniature masks that overhang the lower edge of the lid to keep it in position. Enlivening the seated ducks and miniature masks is a meticulous combination of textural motifs. That naturalism contrasts with the stylized interlaced bands that appear on the bowl and circular handles.
The Freer dun is said to have been unearthed in 1923 at Liyu in northern Shanxi Province. The precision of the bronze casting--appearing almost as though the designs were engraved--and combination of abstract and naturalistic decoration are characteristic of bronzes associated with the well-known site.
- Published References
- Thomas Lawton. Chinese Art of the Warring States Period: Change and Continuity, 480-222 B.C. Washington, 1982-1983. cat. 4, p. 32.
- Dr. John Alexander Pope, Mr. R.J. Gettens, James Cahill, Noel Barnard. The Freer Chinese Bronzes. Oriental Studies Series, vol. 1, no. 7 Washington. cat. 103, p. 529.
- compiled by the staff of the Freer Gallery of Art. A Descriptive and Illustrative Catalogue of Chinese Bronzes: Acquired During the Administration of John Ellerton Lodge. Oriental Studies Series, no. 3 Washington, 1946. p. 58, pl. 31.
- Jean Henri Ardenne de Tizac. L'art chinois classique. Paris. pl. 51b.
- Wai ta i shu chuan t'ung t'u lu (The Great Heritage of Chinese Art in Private Collections Museums all over the World). multi-volumed, Shanghai. pl. 8.
- Keng Jung. Shang chou i ch'i t'ung k'ao: Researches in Ceremonial Vessels of the Shang and Chou Dynasties. Peiping. pl. 210.
- Mizuno Seiichi. In Shu seidoki to tama (alt. spelling: In-sho seidoki to gyoku) (Bronzes and Jades of Ancient China). Tokyo. pl. 132.
- Alfred Salmony Paul Pelliot. Asiatische Kunst Ausstellung Koln 1926. Munich. pl. 32.
- Sekai kokogaku taikei (Archaeology of the World). 16 vols., Tokyo, 1958-1962. p. 70, fig. 189.
- Osvald Siren. Kinas Konst Under Tre Artusenden. 2 vols., Stockholm, 1942-1943. pl. 43 b.
- T'an Tan-chiung. T'ung ch'i kai shu. Taipei. pl. 104.
- Sueji Umehara. Shina kodo seikwa (Selected Relics of Ancient Chinese Bronzes from Collections in Europe and Asia). 3 vols., Osaka. pl. 165.
- Sueji Umehara. Etude des Bronzes des Royaumes Combattants. Memoire de Toho-bunka-gakuin Kyoto kenkyusho, vol. 7 Kyoto. pl. 7.
- Sueji Umehara. On the Shapes of the Bronze Vessels of Ancient China: An Archaeological Study. Toho Bunka Gakuin kyoto kenkyujo kenkyu hohoku, vol.15 Kyoto. pl. 5, fig. 9.
- Sueji Umehara. Shina kokogaku ronko (Studies in Chinese Archaeology). Showa 13 Tokyo, 1938-1940. pl. 4.
- William Watson. Ancient Chinese Bronzes. The Arts of the East London. pl. 65a.
- Chung-kuo tiao su shih t'u lu. Chung-kuo mei shu shih t'u lu ts'ung shu Shanghai. p. 109.
- Collection Area(s)
- Chinese Art
- Web Resources
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