Kirkor Minassian, New York to 1929 
Freer Gallery of Art, purchased from Kirkor Minassian, New York on April 5, 1929 
 Object file, undated folder sheet note.
 See note 1. Also see Freer Gallery of Art Purchase List file, Collections Management Office.
- Previous Owner(s)
Kirkor Minassian 1874 - 1944
Panel of calligraphy; text: Persian in white, gold, blue and black ta'liq script; signed by Kamal al-Din Ikhtiyar al- munshi al-sultani and dated 1552 (959 A.H.); triangular illuminated corner panels; one of a group of three folios.
Border: The calligraphic panel is set in gold, black and red rulings mounted on blue gold-sprinkled paperboard.
The lower right corner piece: “in the month of Ramadan, year [A.H.] 959, [A.D.1552]."
Right side: "written by the poor miserable slave Ikhtiyar, the royal scribe.”
This folio is written in an elaborate cursive style, generally known as shikasta ("broken" in Persian). The script form flourished in sixteenth-century Iran and is characterized by the looping connections of certain letters and by the close, staggered placement of words. The structure of the line tends to be quite dense and is accentuated by the curved alignment of the verses. The use of white, red, yellow, and blue in addition to the traditional black ink heightens the script's complexity.
The calligrapher of this remarkable folio is Kamal al-Din, also known as Vahid al-Ayn, or the "one-eyed." A native of Herat, Kamal al-Din lived for some time in the holy city of Qum and subsequently came to the Safavid capital Tabriz, where he worked at the court of Shah Tahmasb (reigned 1524-76). The king held Kamal al-Din in high regard and offered him many gifts, but the artist accepted none, preferring a simple and humble life. Written in heavily arabicized Persian, this text goes to elaborate design lengths to extol the qualities of a high-ranking individual and bestow good wishes upon him.
- Collection Area(s)
- Arts of the Islamic World
- Web Resources
- Google Cultural Institute
- Rights Statement
Copyright with museum