Hsu-Sen-yu, Peking. 
Freer Gallery of Art, purchased by Carl Whiting Bishop from Hsu-Sen-yu, Peking in Sept. 11, 1923. 
 Curatorial Remark 1 in the object record.
 See note 1. Also see the Bishop Collection file, Collections Management Office.
- Previous Owner(s)
When the Freer Gallery of Art acquired this stela, or tablet-shaped sculpture, in 1923, it was broken into five pieces. After conservators repaired it in 1933, it was long exhibited as a masterpiece. Recently, some doubts have arisen about the stela's authenticity based on the lack of similar works in China. In addition, little natural wear appears on the stone, which is suspect. Damage is limited to the heads of some figures and might have been intentionally inflicted by modern creators to "antique" the stela. This sculpture is an example of a previously unassailable work now undergoing more study in order to assess its genuineness.
The central image is a seated Buddha with raised right hand in the gesture of reassurance and lowered left hand in the gesture of granting favor. It is peculiar that he is seated on a dais with an hourglass-shaped throne beneath the platform. Usually only one type of seat is depicted. Is this a copyist's mistake? In the upper register, another Buddha appears between matching canopied niches. On the right is the supremely wise Buddhist layman Weimo (Sanskrit, Vimalakirti), who holds a whisklike object. On the left is the Bodhisattva of Wisdom, Wenshu (Sanskrit, Manjusri), holding a scepter. The arrangement of these two figures separated by a Buddha group was common during the sixth century.
The lowest register features a vase with an elaborate floral arrangement and two kneeling worshipers holding censers. To each side, guardian figures hold trident-like poles. On the rear of the stela is an inscription with more than 550 characters that indicates the stela was donated to a temple by a group that included monks and nuns.
- Published References
- Mary Augusta Nourse. The Four Hundred Million: A Short Story of the Chinese., 1st ed. Indianapolis and New York. opp. p. 132.
- J. LeRoy Davidson. The Origin and Early Use of the Ju-i. vol. 13, no. 4 Washington and Zurich. front, p. 241, pl. 1.
- Jan Stuart Chang Qing. Chinese Buddhist Sculpture in a New Light at the Freer Gallery of Art. vol. 34, no. 4 Hong Kong, April 2002. p. 34, fig. 8.
- Collection Area(s)
- Chinese Art
- Web Resources
- Google Cultural Institute
- Rights Statement
Copyright with museum