- Provenance information is currently unavailable
- Previous Owner(s)
Lai-Yuan and Company
The jeweled trees and lush scenery suggest a gathering of Buddhas, bodhisattvas (enlightened beings), and blessed souls, perhaps in one of the four directional Buddhist paradises. Traces of color on the stone hint at the brilliance of the mural, which was originally painted with gold and bright colors.The relief-sculpture mural most likely once decorated a stupa-pillar, or large square shaft, attached to the center of the rear wall of one of the caves at Southern Xiangtangshan, a court-sponsored Buddhist cave-temple created during the Northern Qi dynasty. Several scholars suggest that the mural came from Cave 2 at Southern Xiangtangshan. A related object in the Freer's collection is F1921.2.
- Published References
- Masterpieces of Chinese and Japanese Art: Freer Gallery of Art handbook. Washington, 1976. p. 38.
- Sonya S. Lee. Surviving Nirvana: Death of the Buddha in Chinese Visual Culture. Hong Kong. pp. 62-63, fig. 1.26.
- Artibus Asiae. vol. 23, no. 2. 2012, vol. LXXII, no. 1, fig. 13.
- Art Gallery of New South Wales. Silk Road Saga: The Sarcophagus of Yu Hong. p. 18.
- Collection Area(s)
- Chinese Art
- Web Resources
- Google Cultural Institute
- Rights Statement
Copyright with museum