Pure Sanctuary with Pine Grown Stairs

Maker(s)
Artist: Copy after Yan Ciping (傳)閻次平 (active ca. 1164-after 1181)
Historical period(s)
Ming dynasty, 15th-16th century
Medium
Ink and color on silk
Dimensions
H x W (image): 23.1 x 23 cm (9 1/8 x 9 1/16 in)
Geography
China
Credit Line
Gift of Charles Lang Freer
Collection
Freer Gallery of Art
Accession Number
F1909.245u
On View Location
Currently not on view
Classification(s)
Album, Painting
Type

Fan (mounted as album leaf)

Keywords
China, lake, Ming dynasty (1368 - 1644), pine tree
Provenance

To 1909
Loon Gu Sai, Beijing, to 1909 [1]

From 1909 to 1919
Charles Lang Freer (1854-1919), purchased from Loon Gu Sai, Beijing, in 1909 [2]

From 1920
Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]

Notes:

[1] See Original Album List, pg. 30, S.I. 8, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. According to Ingrid Larsen, "'Don’t Send Ming or Later Pictures': Charles Lang Freer and the First Major Collection of Chinese Painting in an American Museum," Ars Orientalis vol. 40 (2011), Loon Gu Sai was possibly Lunguzhai, a store in the antiques district of Liulichang.
This object exhibits seals, colophons, or inscriptions that could provide additional information regarding the object’s history; see Curatorial Remarks in the object record for further details.

[2] See note 1.

[3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.

Previous Owner(s) and Custodian(s)

Loon Gu Sai (C.L. Freer source)
Charles Lang Freer 1854-1919

Label

On a rocky promontory, the unassuming buildings of a Buddhist or Daoist monastic complex overlook the placid waters of a lake. Narrow steps lead up the slope to a smaller building hidden among tall pines. Conforming to Southern Song dynasty (1127–1279) practice, the main composition is concentrated into one corner, while the remainder of the picture space is given over to water, atmospheric effects, and vague landscape forms in the distance. This deftly rendered painting is a close copy of an extant fan attributed to the twelfth-century court artist, Yan Ciping. Technical aspects of the brushwork and certain differences in detail from the older version suggest a late-fifteenth-century date of execution.

Published References
  • Song Dynasty Paintings Project. multi-volumed, . .
  • James Cahill. Chinese Album Leaves in the Freer Gallery of Art. Washington and Japan, 1961-1962. p. 43, pl. 27.
Collection Area(s)
Chinese Art
Web Resources
Google Cultural Institute
CC0 - Creative Commons (CC0 1.0)

This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.

The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The Freer Gallery of Art and Arthur M. Sackler Gallery welcome information that would augment or clarify the ownership history of objects in their collections.

citation | Save this image How to download an image | Terms of Use

Related Objects