- Provenance
- Provenance research underway.
- Label
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This paintings portrays an arhat, who is believed to have been among the original disciples of the historical Buddha, Shakyamuni. Through the teachings of the Buddha, arhats have attained transcendent wisdom and enlightenment, which has freed them from the cycles of birth and rebirth. The arhats remain in the world to defend and maintain the Buddhist law, or dharma. In painting, the arhats are shown as slender, ascetic monks with penetrating gazes that represent their divine vision, through which all the universe can be seen. Here, the arhat is accompanied by a human attendant, depicted in smaller scale to denote lower status. The attendants carry offerings of fruit and flowers.
This painting comes from a set of seventeen, depicting sixteen arhats and the historical Buddha. For special ceremonies in which the arhats were worshiped, the painting of the historical Buddha was displayed at the center of two facing ranks of eight arhats. This set bears inscriptions that link it to Sanshogokokuzenji, a subtemple of the Tofukuji, a Zen Buddhist monastery in Kyoto.
- Published References
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- Butsuga Ruijyuu. vol. 1, Japan. .
- Zaigai hiho [(Japanese Paintings in Western Collections]. 3 vols., Tokyo. vol. 2: pt. I & II, p. 45, pl. 30.
- Collection Area(s)
- Japanese Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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CC0 - Creative Commons (CC0 1.0)
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.
Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
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International Image Interoperability Framework
FS-6027_02