- Provenance
- Provenance research underway.
- Description
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Bowl of deep shape, plain rim.
Clay: gray porcellanous stoneware.
Glaze: thick, glossy celadon, transparent, crackled over foot, on trim but none on base.
Decoration: outside incised floral pattern, thunder pattern at rim; inside six human figures and five inscriptions, impressed.
- Label
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Son of a Kyoto restaurant owner, the young Mokubei studied Chinese classics, painting, calligraphy, and seal-engraving. Among his acquaintances were the most important literati painters of the age. His study of pottery was inspired by reading the Chinese treatise on ceramics, T'ao-Shuo by Chu Yen (1767), and eventually he wrote a Japanese translation of the work. An album also survives in which Mokubei sketched Chinese ceramics that he studied in private Kyoto collections. One sketch shows a celadon bowl of the sort made in Ming China and known to Japanese connoisseurs as "doll type" (ningyo-de) because of the figures and mottoes stamped in the interior. Mokubei's version of the bowl might have served as a cake dish for the Ming form of steeped tea known as sen-cha, popular in literary circles.
- Published References
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- Edmond de Goncourt. Objets d'art japonais et chinois, peintures estampes composant la collection de Goncourt. Paris. no. 164.
- Oriental Ceramics: The World's Great Collections. 12 vols., Tokyo. vol. 10, pl. 206.
- Collection Area(s)
- Japanese Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
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