Commissioned in 1333 by a member of the renowned Gurjara family, this small bronze altarpiece—Siddhapratima Yantra (Shrine of a Perfected Being)—intrigued me from the minute I first saw it in the galleries. What fascinates me most is that it depicts the body as a negative space. The absence of the body draws me in. Carved from a single sheet of copper, the figure is full of light as it floats above a flower. When I look at it, I imagine energy emanates from the shapes. Debra Diamond, curator of South and Southeast Asian art at the Freer|Sackler, describes the altarpiece as “brilliantly evoking the enlightened soul as liberated from the earthly body.”
This object triggered my interest in the Jain tradition. I found out that Jains are depicted in meditation, a state in which no harm can be committed. Jainism, one of the oldest Indian religions, prescribes a path of nonviolence toward all living beings. Practitioners believe nonviolence and self-control are the means to liberation. Siddhas are the liberated souls who have destroyed all karmas and have obtained perfection or enlightenment. Siddhas do not have a body; they are soul in its purest form.
As a graphic designer at Freer|Sackler, I find the strong shapes of the silhouettes simple, powerful, and most of all, inspiring.
The shrine will be on view in the Freer until January 3, 2016, when the museum closes to the public through summer 2017 for renovation. It is always available at Open F|S.