Oum el Dounia Lara Baladi (b. 1969, Beirut) Belgium, 2000–2007 Wool and cotton Courtesy of the artist
Exhibition Type: Contemporary Art
Detail, Darren Waterston; Filthy Lucre, 2013–14; Oil, acrylic, and gold leaf on wood, aluminum, fiberglass, and ceramic, with audio; and lighting components; Courtesy the artist and DC Moore Gallery, New York; Installation view, MASS MoCA, North Adams, MA; Photo: John Tsantes
Detail, Installation view of Dialogue From DNA at Manggha, Centre of Japanese Art and Technology, Krakow, Poland by Chiharu Shiota; 2004; photo by Sunhi Mang
Detail; A world Lost: after the original island, single land mass fractured, after populations migrated, after pollution revealed itself and as cultural locations once separated merged, after the splitting of Adam and Eve, Shiva and Shakti, of race black and white, of culture East and West, after animals diminished, after the seas’ corals did exterminate, after this and at last imagine all water evaporated…this after Columbus found it we lost it imagine this; Rina Banerjee (b. 1963); 2013; Photo by Hutomo Wicaksono
Detail, View of Xu Bing’s Phoneix models in transit; Photo by John Tsantes
Still of video; Jananne Al-Ani, Shadow Sites II, 2011; single-channel HD video projection, color, with sound, 8:38 min., dimensions variable; Collection SFMOMA, Jointly owned by the San Francisco Museum of Modern Art (Accessions Committee Fund purchase) and the Museum of Fine Arts, Boston; © Jananne Al-Ani
Fragments, 2005. Ironwood (tieli). Tables, chairs, parts of beams, and pillars from dismantled temples of the Qing dynasty (1644–1911). Sigg Collection