Chinamania (2016)

Chinamania complements the exhibition Peacock Room REMIX: Darren Waterston’s Filthy Lucre, a contemporary installation that reimagines the Peacock Room as a resplendent ruin. Inspired by museum founder Charles Lang Freer’s collection of Asian ceramics, Waterston painted scores of vessels and arranged them on the buckling shelves of Filthy Lucre. These oozing, misshapen ceramics convey a sense of unsustainable luxury and excess. They also echo McConnell’s interest in the interplay of creativity, the mass production of aesthetic objects, and the powerful forces of materialism and conspicuous consumption.