Each fall, the Freer|Sackler and the University of Michigan copublish Ars Orientalis, a journal of the latest research in art of the Middle East and Asia. A collection of scholarship that crosses academic disciplines, the publication aims to connect researchers, institutions, and ideas using one central theme per volume. This month marks the release of the 45th volume of Ars Orientalis—and of our second digital volume.
The current issue takes a close look at temple architecture of South Asia, but the essays move beyond recording architectural features. Each year Ars Orientalis seeks content that approaches the study of art history in innovative ways, combining a range of scholarly perspectives and subject matter. The essays within this year’s volume not only explore temple building techniques, but the methods of communication that allowed this knowledge to travel over widespread geography and generations of architects. Ultimately, AO 45 aims to trace the triumph of architectural knowledge over boundaries of space and time. The essays ask and answer questions about the mysteries behind medieval architectural achievements: Who were the temple builders, for example, and how did they pass on their knowledge? In doing so, the volume relates to larger questions about the formation of artistic traditions and consistent visual cultures.
The issue is organized in a special format in an effort to encourage dialogue among readers. Four initial essays are followed by two sets of responses that together form a conversation over the course of the journal’s pages. We hope the response-based format, in combination with the special features in the digital edition, spark new conversations and ideas at the intersection of art, history, and innovation.